... Her insights that not all teens (or adults) are the same (some more cognitive while others more emotive) would be helpful for those planning NCYC. I realized that the NCYC experience wore on me because it was mainly appealing to those who connect emotively and not as much to those who connect cognitively.
Fr. Mullen spoke on the upcoming NFCYM/FDLC document on youth and liturgy [For Ages Unending]. I was pleased to see the approach is not to have a separate youth liturgy, but to incorporate them into the life of the parish. We lose too many of the youth during the college years, so it is important to connect them to parish life before they leave so that it is more natural to connect again when they return. If they experience only a separate youth Mass before college, they will not be able to reconnect with that group after college because now they are adults, so it is harder to reconnect. Fr. Mullen was balanced in his approach to music, an openness to the new but also a call to introduce the youth to the sacred music tradition of the Church. I felt this was something lacking at NCYC. The music at the closing liturgy was self-expressive of the youth, but in stark contrast to the singing of the Mass that Archbishop Tobin modeled. As Fr. Mullen noted we cannot be afraid to teach the youth to chant, and his personal experience is that they love it. ...
A difficulty that comes out of NCYC is the youth's experience of NCYC Mass versus their experience of Mass at the parish. If we really want them to be incorporated into the life of the parish, it would make more sense to present a liturgy that could be done in a parish setting. Certainly part of the disconnect with the youth at the parish is the fact that a majority of the music at Masses tend to be in a style from 1960s-1990s. One could argue if this is appropriate or not based on Church documents, but from the practical point of view those styles do not seem to assist the youth in connecting (they did not grow up in those decades). Is the solution simply to update the music as the NCYC Mass seems to indicate? But if we are really trying to incorporate the youth into the parish Mass, then that updating would isolate other groups of parishioners whose cultural experience was of those earlier styles of music. And since popular music styles change so quickly, how often would we have to totally rethink the music we use? Rather, we ought to see what the Church herself has been saying about sacred music if we want to find a lasting solution. Fr. Mullen and the document For Ages Unending seems to begin taking that step. Very important was the example of Archbishop Tobin who sung so many of his parts. This is essential as we look to "sing the Mass" not "sing at Mass."
A final comment: the use of both English and Spanish is good to connect to those with both those backgrounds, but can be overdone. Fr. Mullen, following the Church's suggestion, mentions the use of Latin in multilingual contexts. Latin is our universal heritage in the Church and it can help the youth not only to experience the Church expanding across space (the Church throughout the world today) but also across time (2000 years of Catholic youth).
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