Charles Callahan has written two brief sets of music (for manuals only) that are based on familiar carols and hymns, ranging from quiet to bright and festive (particularly "The First Nowell" and "Go Tell It"). I'm not plugging his music overall (because he often gets repetitive and predictable), but those collections are an exception. Morningstar Music, Concordia, Wayne Leupold and The Organist's Companion have also published many good collections of Christmas music. (Full disclosure: I have no financial or other connection to the aforementioned aside from being an occasional customer.)
I'm looking for something longer than those Callahan settings. As I was continuing to search I found Gerald Near's Carillon on a Ukrainian Bell Carol which is more in line with what I'm looking for.
Last year I discovered Michael Bedford's 'Seven Chorale Preludes for the Christmas Season', published by Harold Flammer. I've enjoyed playing all of them. The last one is a French-style toccata for full organ on the tune 'Antioch.' It's about 2-3 minutes, depending on how fast you take it.
Concertato on I Know That My Redeemer Lives by Hal H. Hopson. I've been enamored with that one for a while. It's got a great organ part and includes SATB with congregation.
I have a couple of postlude pieces but they are demanding. One is for trumpet and organ, other for organ (and could include a trumpet). Will try to put up audio sims here today.
Here is a Christmas Medley I composed a couple of decades ago (at least). It is for chamber group, but is easily adaptable to organ solo, organ with trumpet, etc.
A Christmas Medley (how many carol titles can you hear?)
Every year I work on a difficult postlude for midnight mass that is too hard and too long. I end up playing to a nearly empty church. This year I will use one of the several organ trumpet pieces I tend to keep practiced. Bah humbug!
The best Christmas postlude known to man is a Toccata on Mendelssohn (Hark the Herald) by David Wilcocks. (It seems like it was written to follow his own hymn arrangement of the same tune) It can be found in the Oxford Book of Christmas Organ Music, and the piece is worth the price of the book alone. I bought the book last year and will be using the piece every year until I find something better. I would rate the piece as moderately difficult, but once you get the toccata pattern down, it's not bad at all. Another idea is to use the Rhapsody on Christmas Carols by Gigout. It's a long (8 minute) ABA piece, with a soft B section. Although this is not kosher, I used to break the piece up, and play A and B during my prelude program, and then use the return of the A theme as a postlude. But the Wilcocks is just a solid postlude all around, can't go wrong.
A rather grand and not at all difficult one is Bach's In dulci jubilo. Not the ones that are organ chorales, but the one that is for what would have been congregational singing, with great flourishes at the end of every line of the tune. BWV 729 I think. It's in A-Major. Play it slowly with a plenum and lots of panache. It's just long enough for the congregation to have exited.
Another one is Emma Lou Deimer's setting of Joy to the World, although I must say it's rather snarly and edgy harmonically. I am a big fan of BWV 729, although I feel that here in America, In dulci jubilo never really made it as a top 10 favorite Christmas tune (sadly), although I always use it in hopes that I can change the world. For my Christmas postlude, I always look for something on one of the big name tunes, like Antioch, Mendelssohn, Gloria, etc. You just can't go wrong with those.
A few years back, I played "Festive Trumpet Tune" by David German as Midnight Mass postlude. It was a big hit, so much so, that folks practically insist I play it every year. Midnight Mass is the only time I play it during the year. Be careful what you start...
Yes: silence! Silence is golden. Silence is pregnant. Silence is profound. Silence is deafening. Silence is heard. Silence is the bearer of theological depths which no utterance can convey. Silence is a silver bell! (God enters in silence - he seldom will compete with noise.)
By all means let there be (some) silence during the solemn festival of XP-mass. During mass. During the day. During the season. And (especially!) during Advent.
My present organist negotiated not having to play a postlude at the two Christmas Eve services--let the strings (and flutist-conductor, moi) play something! (He's such a good organist and reliable service-player that he's in great demand--his former employer asks him back for the odd Mass here and there, like Christmas morning, or a Sunday 7 am--so I think he's quite intelligent for not wanting to do a big postlude twice on Christmas Eve! He does something huge every year at the one sung service on Easter. I say 'service' because we work for the local not-headed-for-Rome-yet Anglicans.)
https://www.youtube.com/watch?v=NbnoLqxCJ4M Angels we have heard on high by Richard Elliott is a great little work. I get some mileage out of this every year (albeit usually the Sunday after Christmas.)
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