In programs, my rule is to use italics for a multi-movement work with a non-generic title specified by the composer, but not for a work identified by form alone or by form and number, key, or voicing. One would italicize, for example, A German Requiem, but not Mass No. 2 in G. These rules are usually pretty cut-and-dried, but there is some gray area. Which of the following titles should be italicized? Why or why not?
Christmas Oratorio Mass for Advent Solemn Mass Mass for Peace Mass for the Dead War Requiem St. Matthew Passion The Passion according to St. John
What style would CMAA use in a Colloquium program?
With English titles one normally uses plain typeface, but with foreign titles one normally uses italic typeface. Thus:
Christmas Oratorio - Weihnachtsoratorium St. John Passion - Johannespassion Mass for the Dead - Missa pro defunctis Solemn Mass - Missa Solemnis A German Requiem - Ein deutsches Requiem Anthem "How beauteous are their feet" - Motet Ego sum panis vivus
However, consistency is the main thing, and if you encounter a different standard, don't be afraid to use it.
There are different approaches to style to be sure; I would call the un-italicized A Mass of Life not exactly normal. War Requiem is non-generic unless I've missed recent developments, but why not War Requiem, Op. 66? "Mass for Advent" doesn't suggest a title or even a genre to me as much as a press release. The only real grey area I can spot on the list is Christmas Oratorio, Op. 12, which I would be much tempted to sidestep with Oratorio de Noël.
To participate in the discussions on Catholic church music, sign in or register as a forum member, The forum is a project of the Church Music Association of America.