He reminded 5,000 pilgrims of the universal human response to beauty as reflected in a sculpture, a painting, a poem or a beautiful piece of music. The Pope said it is "something bigger, something that speaks, capable touching the heart, of communicating a message, of elevating the soul. How many times, then, can artistic expressions be occasions to remind us of God, to help our prayer or the conversion of the heart."
The Pope said that works of art "open the door to the infinite, to a beauty and a truth that goes beyond the ordinary. A work of art can open the eyes of the mind and heart. Perhaps sometimes, before a sculpture, a painting, a few verses of a poem or a song, you have experienced deep within an intimate emotion, a sense of joy, that is to have clearly perceived that in front of you there was not only matter, a piece of marble or bronze, a painted canvas, a series of letters or a combination of sounds, but something bigger, something that speaks, capable of touching the heart, of communicating a message; elevating the soul.
"The work of art is the fruit of human creativity, which questions the visible reality, trying to discover its deep meaning and to communicate it through the language of shapes, colors, sounds. (It) is an open door on the infinite (which) opens the eyes of the mind, of the heart.One example of this is when we visit a Gothic cathedral; we are enraptured by the vertical lines that shoot up towards the sky and draw our eyes and our spirits upwards, while at the same time, we feel small, and yet eager for fullness ...
"Or when we enter a Romanesque church: we are spontaneously invited to recollection and prayer. We feel as if the faith of generations were enclosed in these splendid buildings. Or, when we hear a piece of sacred music that vibrates the strings of our heart, our soul expands and helped to turn to God. A concert of music by Johann Sebastian Bach, in Munich, directed by Leonard Bernstein, again comes to my mind. After the last piece of music, one of the Cantate, I felt, not by reasoning, but in my heart, that what I heard had conveyed something of the faith of the great composer to me and pressed me to praise and thank the Lord ".
"...True knowledge is being struck by the arrow of Beauty that wounds man, moved by reality, "how it is Christ himself who is present and in an ineffable way disposes and forms the souls of men" (cf. ibid.).
"Being struck and overcome by the beauty of Christ is a more real, more profound knowledge than mere rational deduction. Of course we must not underrate the importance of theological reflection, of exact and precise theological thought; it remains absolutely necessary. But to move from here to disdain or to reject the impact produced by the response of the heart in the encounter with beauty as a true form of knowledge would impoverish us and dry up our faith and our theology. We must rediscover this form of knowledge; it is a pressing need of our time....
..."Today another objection has even greater weight: the message of beauty is thrown into complete doubt by the power of falsehood, seduction, violence and evil. Can the beautiful be genuine, or, in the end, is it only an illusion? Isn't reality perhaps basically evil? The fear that in the end it is not the arrow of the beautiful that leads us to the truth, but that falsehood, all that is ugly and vulgar, may constitute the true "reality" has at all times caused people anguish.
"It is, as it were, a new trick of what is false to present itself as "truth" and to say to us: over and above me there is basically nothing, stop seeking or even loving the truth; in doing so you are on the wrong track. The icon of the crucified Christ sets us free from this deception that is so widespread today. However it imposes a condition: that we let ourselves be wounded by him, and that we believe in the Love who can risk setting aside his external beauty to proclaim, in this way, the truth of the beautiful.
"Falsehood however has another strategem. A beauty that is deceptive and false, a dazzling beauty that does not bring human beings out of themselves to open them to the ecstasy of rising to the heights, but indeed locks them entirely into themselves. Such beauty does not reawaken a longing for the Ineffable, readiness for sacrifice, the abandonment of self, but instead stirs up the desire, the will for power, possession and pleasure. It is that type of experience of beauty of which Genesis speaks in the account of the Original Sin. Eve saw that the fruit of the tree was "beautiful" to eat and was "delightful to the eyes."...
"So it is that Christian art today is caught between two fires (as perhaps it always has been): It must oppose the cult of the ugly, which says that everything beautiful is a deception and only the representation of what is crude, low and vulgar is the truth, the true illumination of knowledge. Or it has to counter the deceptive beauty that makes the human being seem diminished instead of making him great, and for this reason is false. "
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