I write to ask your opinions on who your favorite catholic musicians are? Can be choral director or organist/pianist. I am not asking about composers. That is another topic. Although if she has composed it is okay by me. How old, where they work, and why you like them!
I will start: Stephen Tharp, 40 (about) years, NYC, fun player to watch and listen to. Peter Latona, 40 (about) years, Washington National Basilica, same reason.
I don't know many others. Excuse my language as always!
MaryAnn Carr-Wilson, Wendy Evans, Charlotte DaRosa sopranos Jeffrey Morse, Scott Turkington, Richard Rice, Edward Schafer, Adam Bartlett-director/composers Jenny Donelson, Arlene Oost Zinner, Jeff Ostrowski, Kurt Poterak-schola directors Jonathan Eason, David Hughes, Aristotle Esguerra, Matt Curtis- true cantors and incredible singers. Frank LaRocca, Peter Kwasniewski, Richard Clark, David Hurd (is he RC?), Kevin Allen, Mike Olbash, Royce Nickel, composers. Kathy Pluth, Genevieve Glen-hymn writers Mia Coyne, Rudy O'Connor, Susan Treacy and the inestimable Wm. Mahrt- parish directors and advocates. Charles Giffen, Gary Penkala, JMO, A. Bartlett- futurists in publishing. Adam Wood, CharlesW, Noel Jones, francis koerber, David Saunders and Wendi Schroeder-local heroes with passion and funnybones! Just scratching the surface.
From the distaff side (the loyal opposition) Bob Hurd, Mike Joncas, Barbara Bridge, Ken Macek, Janet Sullivan-Whitaker, MD Ridge, the late Leon Roberts, Tom McAvoy, Jeffrey Honore, Ricky Manalo, Malcom Kogut and a few others. Todd Flowerday-exegete, true and regular friend; Dr.Rv. Fritz Bauerschmit, Karl Liam Sauer- genuinely fine fellows and long distance friends.
Well, our organist is great! Diane Bish seems nice, but she's not Catholic. Pedro D'Aquino Rudy DeVos David Hughes Jenny Donelson Horst Buchholz Sam Dorlaque Jason Pennington The one, only Leo Nestor And our forum Usual Suspects, of course.
Peter Latona is my favorite musician, and like Adam's ode to MJM above, it has to do with improvisation.
His compositions are excellent as well, and particularly notable are the briefest possible composition, his Psalm refrains. They are second to none in my opinion. It's so completely unusual to sing a responsorial Psalm antiphon that doesn't sound sing-songy or trite, that isn't rushing predictably and headlong towards the cadence as soon as you sing note #1. His do not do that. They don't rush, they don't dawdle, they're perfectly musical, and they bring out the meaning of the words.
I will echo your appreciation of Dr. Latona's amazing skills. One of my first experiences at the national shrine was amazing, thanks to his excellent choir and gloria verses that I later found out he composed, as I wrote about here on my personal site. As you mention, the responsorial psalm was excellent when I was there :)
My Mother and my Father, singers and choir director during the worst of the... purges? pogroms? always just humbly obeyed, or found another parish in which their sung prayer would be of use, and would be welcomed. Requiescant in pace
Choir/Schola directors: (NB: no particular order, just as they came to me.) Jeffrey Morse, David Hughes, Horst Buchholz, Bill Mahrt, Charles Cole, Arlene Oost-Zinner, Peter Latona, Richard Clark, Melanie Malinka, Wilko Brouwers, Adam Bartlett, Gregory Glenn, Edward Schaeffer...
Organists: (again, no particular order) Jonathan Ryan, David Hughes, Horst Buchholz, Ann Labounsky, Olivier Latry, Daniel Roth, Peter Latona, Ian Watson, Philippe Belanger, Doug O'Neill, Rudy de Vos, Leo Nestor...
I've met and/or sung under many of these people, and they're all great guys and gals.
How do you determine best? I don't think that is possible. These musicians are all individuals with their own playing styles. The differences in their instruments is also a factor. I think you are asking a question that is not possible to answer.
How do you determine best? I don't think that is possible. These musicians are all individuals with their own playing styles. The differences in their instruments is also a factor. I think you are asking a question that is not possible to answer.
Phil, chill When Kathy joked about whether there's a cash prize for your award, and I said MACW, hands down, that was in keeping WITH the joke, but no joke on my sentiments. Get the lay of the land, my friend.
I think it is a bit unfair to rate musicians who have different areas of study and expertise, and differing instruments and interpretative styles of performance. Comparisons are not really valid.
I think Phil has a point. Professional organizations often give out awards--and to some of the most unlikely people sometimes, and for brazenly ideological reasons sometimes. It's a way of stating organizational values, and I guess it's effective, if people keep doing it all the time.
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