Dynamics in Polyphony
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Is anyone aware of any resources discussing the interpretation of polyphony? In particular, I'm interested in practices regarding dynamics. I have been taught varying (and often contradictory) practices, none of which, I am sure, are without some merit. If anyone is aware of any resources, or is willing to share their own practices, I would greatly appreciate it.
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I ran across a book at the Music Library at TCU just the other day on this topic.
I'm sorry I can't remember the title, but I'll look for it again next time I'm there.Thanked by 1jejwood
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