Here are all the options (caution: there are a lot of options!) for "In die consecrationis virginum et in professione religiosorum":

Introit:
Dum sanctificatus fuero in vobis
Expecta Dominum, viriliter age
Lætetur cor quærentium Dominum
Tibi dixit cor meum

Tempore paschali:
Exaudi, Domini… tibi dixit cor
Venite, benedicti Patris mei

Gradual:
Beata gens
Ecce quam bonum et quam iucundum
Lætatus sum
Unam petii a Domino
Venite, filii, audite me

Alleluia:
Domine, dilexi decorum domus tuæ
Ego vos elegi de mundo
Lætatus sum
Lauda, anima mea, Dominum
O quam bonus et suavis est
Paratum cor meum
Quinque prudentes virgines
Venite ad me, omnes

Tract:
Qui confidunt in Domino
Sicut servus desiderat

Offertory:
Confitebor tibi, Domine
Domine Deus, in simplicitate cordis mei
Expectans, expectavi Dominum
Meditabor in mandatis tuis
Sicut in holocausto arietum

Tempore paschali:
Deus, Deus meus, ad te de luce vigilo
Lauda, anima mea, Dominum

Communion:
Amen dico vobis quod vos
Beati mundo corde (cum ps. 33)
Ego vos elegi de mundo
Memento verbi tui servo tuo
Notas mihi fecisti vias vitæ
Optimam partem elegit
Qui mihi ministrat, me sequatur
Qui vult venire post me
Quicumque fecerit voluntatem
Quinque predentes virgines
Unam petii a Domino

Tempore paschali:
Ego sum vitis vera
Populus acquisitionis
Si consurrexistis cum Christo

And, to be complete, those from the Graduale Simplex, "In professione religiosa":

IN Oculi mei
PR Quemadmodum desiderat
AL Beati immaculati
OF Qui te expectant
CO Adiuva me
CO Quærite primum (extra tempus quadragesimæ)

I am sure you are using the litany for monastic religious profession, with its special invocations and petitions.

To me there is nothing more moving than the surrender to God at a monk’s vow-taking, symbolized by the monk’s singing three times on ascending pitches : Suscipe me, Domine, secundum eloquium tuum et vivam. Et non confundas me ab expectatione mea (“Uphold me, Lord, according to your word and I shall live; let not my hope be put to shame”), repeated each time by the monks.

What does the drama of the Suscipe mean? In pagan Latin, the paterfamilias, the head of the household, was the one before whose feet the newborn child of the household, freeborn or slave, was placed. If the head decided to be the susceptor by picking up the child to hand it to its mother, then the child could be nursed and brought up. If he chose not to lift up the child, the child was left to die.

Christians who spoke Latin immediately gave to the Abba of Jesus and our Abba the title of Susceptor. By singing the Suscipe, the monk, who had just signed his life away, is begging his heavenly Father to pick him up, to sustain him, to confirm the incredible act of hope that religious profession is.

In many monasteries, the offertory chant is from Daniel 3:40: Sicut in holocausto arietum, et taurorum, et sicut in millibus agnorum pinguium, sic fiat sacrificium nostrum in conspectu tuo hodie, ut placeat tibi, quoniam non est confusio confidentibus in te (“As though it were holocausts of rams and bullocks, or thousands of fat lambs, so let our sacrifice be in your presence today as we follow you unreservedly; for those who trust in you cannot be put to shame”)—a wonderful response to the self-offering just made!