Now that I have your attention, I'm really up against a problem I can't seem to solve and despite my best efforts to search I'm not coming up with a solution.
The problem: a suitable setting of the revised translation of the Gloria. The solution: the John Lee/Proulx Antiphonal Gloria.
The problem: GIA controls the copyright and will not permit a long-term reprint (as in printing it out on card stock so that it will hold up to repeated usage for the next several months until the congregation can sing it without music.)
I went absolutely around in circles with those folk at GIA and OneLicense.net about the situation and their ONLY solution was to require us to purchase an annual reprint license at a huge cost to the parish.
I need not tell you that I made it abundantly clear that they were quite viciously confirming every ill word that was said about them with respect to their confiscatory, over-reaching and over-controlling publishing and reprint permission policies, and that I intended never to purchase another item from them.
Of course, I feel better for having vented, but am still left with the problem of finding a simple, chant-based setting of the revised translation of the Gloria that my congregation can learn quickly without the constant support of a cantor or a choir (both of which our parish has lacked for many years for a multitude of reasons I won't go into here) and that will come with either a reasonable reprint fee or is in the creative commons. The Lee setting was excellent for the very reason that it was set to a psalm tone- repetitive and predictable.
Now, unless I'm suffering from male-pattern blindness and can't see an obvious one before me, I seem to only be finding settings of the old translation but not the new one that fits my description. And, for the record I really don't want to do the one provided by ICEL, and even if I did, where does one obtain permission to reprint it? There is a wonderful re-working of the ICEL chant by Fr. Columba Kelly, OSB, but I don't believe he's made it available in the commons at this point.
Thank you in advance for any solutions you may have to recommend.
Perhaps you will find some of them useful. Based on what you say, you might want to look in particular at SHERWIN, ANNE LINE, and (perhaps) ARROWSMITH, but there's like 20-30 others that are really nice. All the settings in the V2H have USCCB approval.
All the settings on that page (even the ones at the very bottom) can be freely reprinted and shared, to my knowledge.
Did you check Fr Kelly's "St Meinrad Kyriale", I think that's in the commons.
I put up a version of Henri du Mont's Mass in the Sixth Mode to the new ICEL here on the Forum (link below). Please feel free to use it; I also have a version of the Messe Royale that I will post soon. They are both in 'modren' notation, so if you (or anyone else) want to put it into neums, feel free. My 'reprint fee' if you use it is a Pater, Ave, and Gloria Patri.
The Lee Gloria is such an odd thing. How can one copyright setting a text to Mode VIII? Quick someone rush and copyright setting the Gloria to modes I - VII.
These are all very beautiful, but they're also through-composed. I'm afraid the congregation would go crazy trying to learn these, as the previous one they sang for the last 40 years was overly-simplistic and "sing-songy." (It was a rather clumsy re-working of the Gloria from the "English People's Mass").
I'm really trying to find a psalm tone-based one.
I did recheck the St. Meinrad site, and they have not made their new kyriale available yet. (Everything there is pre-revised translation).
I don't use it, and I agree with you. It is quite boring, and with as many Masses as I have on the weekend, I certainly don't need another thing to add to my nodding off. I am sure the congregation would be happy without hearing me snore,,, lol
I second proulx's Missa Simplex. WLP has it and they are much more generous with reprint permissions. It isn't literally psalm-tone based but it almost could be - it is chant like and repetitive
David, this solution meets some of your requirements, and perhaps doesn't in some concerns- Mass of the Angels by Richard Clark (also affiliated with CCW), published by Gary Penkala/CanticaNova. Based on the de Angelis, uses the incipit as a refrain, though Richard's indicated clearly how it can be through-sung. I think that it meets the same high standards AND choral/congregational accessibility of Sherwin/Bancks/St. Therese (Nickel)/ and even Mueller. In fact, we're waiting before switching from the Therese Sanctus-Agnus to Mueller until our copies of the Clark arrive and we sing through them.
Gentlepersons, we've already stomped on ICEL Glory in many threads. I happen to be on the pro-side, as long as it moves briskly. Even moreso, if it's accompanied by, ahem (blush) my accompaniment which also uses a soprano ison in Latin. What bothers me about ICEL is that for some reason, and I'd love to hear AWR's account of this, they used Jubilate Deo, commonly dubbed "The Death Mass" and perpetuated that.
What bothers me about ICEL is that for some reason, and I'd love to hear AWR's account of this, they used Jubilate Deo, commonly dubbed "The Death Mass" and perpetuated that.
Isn't that because, uh, all Catholics were asked to know at least that setting? Even if not ideal, it seems a logical (if not good) place to start.
I use the ICEL chant mass - all of it, with no problems. Was it entertainment in 19th century Russia? It was not. Is outrage! Next you be wanting Pirozhki and tea with divine worship.
I checked out the Proulx "Gloria Simplex" and it is, to my mind, actually better than the Lee.
I contacted World Library Publications, and they were both helpful and cooperative. They still offer a "permanent hymnal" reprint that turns out to be appropriate and cost-effective, and the entire project can be handled online with minimal fuss.
I did have a follow-up conversation with customer service at GIA, and they said that after they got off the phone with me they put their heads together and were prepared to "work something out." I told them flatly that it was too late, that they should have had a reasonable solution available at the outset and that my decision to go with the WLP product was my final answer. I also requested that our address be removed from their lists, as I no longer wished to receive the "Quarterly" (which I'm not even sure why we receive it when we don't use GIA hymnals) nor did I wish to receive any more promotional flyers for hymnals, etc.
Shame on GIA for making their products and services so "user UNfriendly" and kudos to WLP for being sensitive and aware of the needs of us in the trenches.
Two of the WLP (we're an OCP parish) settings made our cut in '10, Simplex (trad) and St. Ann (Bolduc/contemp.) I think they are presenting a more inviting presence as well, witness Dr. Jerry....
@melofluent, thanks for mentioning the St. Ann Mass. I hadn't heard that one before, and I am trying to get rid of the Mass of Renewal from OCP. That might just fit the bill for the contemporary Mass.
I am currently using the Proulx Missa Simplex Gloria and the congregation is picking it up with no issues at all! I like that it is a Gloria that does not have a repeating refrain! A repeated Gloria refrain really breaks up the Gloria prayer text and it's not how we recited it if we were to recited it again by using the repeating refrain version,
For what it's worth, you (or anyone, for that matter) are welcome to use my setting, inspired by the Ave Maris Stella chant. We read through it at the colloquium in 2010. I've since raised it a step for my children's choir (they learned it one rehearsal, btw), but just e-mail me if you'd like it in another key.
Chant based Gloria? What do we really think of when we hear or say "chant based" music? Some of these examples seem pretty far from my idea of what others (and myself) would regard as "chant based" ... unless maybe "plainchant" or "plainsong" or "faux-chant" is the new stock in trade.
For a thoroughgoing discussion on the application of rules and conventions for Gregorian chant that is modified for and applied to English language texts, contact Fr. Columba Kelly, OSB. He has been working for some time now on the development of a semiological approach to English language-based chant, and I find his work fascinating and convincing. He's done some truly valuable work, including a re-working of some of the ICEL chants that avoid a fair number of awkward problems when trying to adopt the Gregorian melodies to English texts.
For me, "chant-based" means that music which is built upon the characteristics of chant: vocal, monophonic, unaccompanied, modal, liturgical (bound to the texts of the Mass) and rhythmically supple.
I'm not sure which examples you find don't fall into this definition and thus merit labels such as "plainchant", "plainsong" or "faux-chant," but would be willing to discuss the examples you cite.
For the record David...you're frequently irrational...but not about the ICEL Gloria. :)
And I would love clarification of the distinction between plainsong, plainchant and Gregorian chant as opposed to chant based, since those terms are used frequently on this forum and I sometimes get confused as to their application.
I actually really like the ICEL Gloria. You just have to drag a congregation through it and keep them excited by doing some intriguing accompaniment work. And yeah, it has to be accompanied.
As far as THE RECTO TONO ORDINARIES are concerned, I've had them copyrighted and will file lawsuits against anyone who dares to sing the Ordinary recto-tono without paying me my royalties. And I'm way more expensive than GIA.
MJM is attempting to gain support for his spurious copyright claims, expanding here the heinous accusations he made against me on FaceBook regarding a recto-tono-style Alleluia I composed.
Don't believe him! I attempted to calmly explain to him that I mailed a copy of the piece to myself from inside the sealed envelope I've been living in since 1982, and which I was attempting to generously contribute to his THE RECTO TONO PROPERS project. (Charity, amirite?)
Before the Cease and Desist letters are made public, I wanted to post the piece here. But, because I don't want anyone ELSE stealing my copy-wrighted property, I am only posting the Jubilus here. The thematic material in the Jubilus alone is enough to prove that I composed the entire piece, which was in no way inspired by the vernacular Gloria posted earlier by SkirpR.
(Note - this is for the 17th Sunday of Ordinary Time.)
I've been working on a dodecaphonal Mass setting which I like to call "Mass of Confusion." Each tone represents one of the Apostles. It's very academic and heady and very unsingable. :)
The slurs and ties make me think of clouds in a blue sky over O-K-L-A-H-O-M-A, as high as an elephant's eye. "It's a brand new day, everything is fi-high-high-ine....."
Somebody asked me if I could transpose it to a new key. I was hesitant at first, but now that I tried it out and sang it a few times, I think it still works.
Simplex, ICEL, or Meinrad's We sing them at a good clip, acapella. Most of all: rhythm of the text, rhythm of the neumes , and the mora vocis. This is our battle cry. A good rendering can even present a grammatical rythm too.
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