My theory is that no one REALLY wants Catholic congregations to sing. If they did, they would cry and clamor for the forceful removal of the cantor-as-songleader. Instead, Catholics just want to listen to the Lady With The Pretty Voice sing their favorite songs they remember.
I am in agreement with Gavin save for the last part. The more I hear a cantor sing the more I don't want to sing, but not because of the "pretty voice" but because it often ain't so.
1.Start teaching them chants for the liturgy, psalmody, hymnody, et al., in school from kindergarten through 12th grade. Compulsory if need be.
2. If their parents sing enthusiastically in church, they will think it is a Good Thing.
3. Have enthusiastically supported choirs for all grade levels.
4. Get rid of the song leader who THINKS he or she is a cantor (these are not the same thing, and the former is utterly foreign to historical Catholic liturgy).
5. Get real organs and real organists. It is the organ (and no one else!) which leads the congregational song when played by an organist who really knows what he or she is doing.
6. Give enthusiastic support and parish-wide appreciation and respect for the parish choir, who not only grace the liturgy with anthems, but more importantly, provide leadership and tonal example to the congregation. If you have a good liturgical choir, the people should be 'swept up' into the sound of it so that all become one voice.
7. Stress endlessly that sung liturgy is normal and that not singing the liturgy is taking something away from it.
8. When faced with 'I don't like...' and such, respond as if that were the unfortunate and negative condition that it is (AFTER trying to encourage and be a positive influence).
9. There are times when all of us have had to deal with what seemed unsolvable challenges, but the importance of always conveying a positive and wholesome attitude about music and singing as givens is paramount.
10. Be sure that everyone (especially children and youth) knows that Jesus sang.
In addition to being DM of my parish, I teach music at another Catholic School. Today I was rehearsing the children's choir for Thursday mass and the kids didn't know the music. They told me that "the choir sings, why should I?". In 30 short minutes, I turned it around and had the kids ALL singing and loving it. I'm convinced it goes back to the mentality of "music as entertainment" in the mass. All the "modern" music with all its gorgeous accompaniments hurts true worship because it calls for listening and not being an active part of worship. When we start teaching chant and polyphony, the music becomes very personal and goes away from entertainment and towards true worship and transcendence.
Get some trained singers (starting, if need be, with a choir of one) and insist on your own restraint. Don't be afraid of quiet time at Mass! Quiet time isn't a bacterium needing to be killed, but a great blessing. (Remember that the rests help give meaning to the musical notes.)
Never, ever, use a microphone, if you can avoid it. Bosses (be they pastors, headmasters, heads of liturgy committees or whatever) may require some use of the un-natural object, but since God doesn't need a hearing aid, and since the Mass is theocentric by its very NATURE your goal should be to reduce or (preferably) eliminate ALL electricity based amplification.
Use the unaccompanied voice if possible -- to let the congregation hear itself sing, not because organs are bad. If you sing some psalm-tone "responsorial psalm", with simple antiphons, you give the congregation the chance to contribute, and to understand when it is "their turn" to sing.
Choose music which can be sung well by unaccompanied voices. To illustrate my point (but by no means to limit the available music to only the music I will discuss) take Benediction. Most parishes, in my experience, know some setting of Tantum Ergo, O Salutaris Hostia and Holy God, We Praise Thy Name. Most people know a tune for Stabat Mater, for the Stations of the Cross.
Perhaps you could introduce a few simple Alleluias, and a sung Amen for every prayer which Father sings (which is to say, not merely at the end of the Doxology at the end of the Canon). Encourage Father to sing the Sursum Corda.
You will find that some people are opposed to this sort of thing for the simple reason that they have a defective understanding of any act of public worship of God. Others may be opposed out of fear of the unknown. This can be overcome.
Take heart: remember that in improving the environment of Catholic worship, your work is pleasing to God.
While I see the idea you're presenting and agree with it, the success shown in that clip can't be duplicated in every scenario... obviously (nearly) everyone in that hockey arena was fully knowledgeable of the tune and words of that song. This is not always the case with every piece of music.
Context explains the singing in the video. Last Saturday I accompanied "America the Beautiful" at the closing of a Mass in a Boston suburb and I have never, I mean never evah as they say here, heard such robust singing. The pent up emotion that had been building all week needed to be released and that patriotic hymn provided the outlet.
If I've said it once, I've said it a thousand times.... If people are convinced of purpose, they will, like the poets of antiquity, sing it for the ages. Why else is Holy Thursday a "favorite" Mass for most music directors?
If people are convinced of purpose, they will, like the poets of antiquity, sing it for the ages.
Bingo. This is the reason that, very often, the Our Father is sung more vigorously and by more people than any other single item: it's really part of the liturgy. People instinctively know when a song or hymn is just "filler" - that is being done because there's nothing better to do at this point - so what's the point of singing?
For your point 3, I would say that is highly debatable. One could argue that the clear, percussive nature of the piano, rather than the mushy and complicated sound of the organ, helps people keep their place in the music.
(A retort to this would be that "good" organ playing should be implied when you suggest organ as best. One could then further argue, "do you know how many bad organists there are out there? Playing on bad organs?")
My version of your point 3 is: Regularly (not always, but often) sing congregational music unaccompanied.
EDIT: Apparently you addressed that in you point 4. So you and I are pretty much on the same page.
CONCLUSION, re. Congregational Singing: It's not fricken' rocket science, yo.
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