Can folks recommend a music theory book for someone who first read a music theory book last year (Gregorian Chant Master Class .. yes, I know it's for practice and not too much theory) and has just gotten Knud Jeppesen's "Counterpoint" which, tho interesting, is too advanced? Something to bridge between those two books?
Not necessarily a suggestion, but Harmony and Voice Leading by Aldwell and Schachter was my theory textbook in college. It focuses primarily on the major/minor tonalities, so if you're looking for something more modal perhaps someone might have a better suggestion (in which I'd be interested myself).
To bridge those two, it sounds like you want a first-year music theory text and workbook. Look for the names Greg Steinke and John Clough. I like the latter's first two books: very well-conceived and programmed entirely for self-study. Steinke's text presupposes a teacher. Also, if you're interested in chant and theory, start with David Hiley's chapter in his Western Plainchant. It's on googlebooks. It's likely going to be a bit difficult to parse at first, but it's information-dense and points to a lot of other things.
Hey Aris, Peter Schubert wrote what looks like a good text/workbook on High Ren modal counterpoint. I've been working with Fux's little book. It's more fun than Sudoku.
Aldwell and Schachter is used most frequently.
It's viciously expensive if you can't get a used copy.
You will want a book that emphasizes voice-leading and figured bass alongside an introduction to tonal harmony.
Get an old edition of Walter Piston's book. It's straightforward and sensible, without all the unnecessary glitz designed for the spoonfeeding of today's undergraduates. I used A & S in my college theory classes ('92-'94) and it was dreadfully slow.
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