I have a great prelude I play every year! I think I've recommended it before, possibly even to you :P It's from the "Preludes a l'Introit" collection that contains Durufle's Epiphany Prelude. It's by Pierre Camonin, and really easy.
The Eight Short Preludes on Gregorian themes by Marcel Dupre are not hard (a number are manuals only, I seem to remember) and include a disproportionate amount of Corpus Christi selections. The pieces are:
Salve Regina * Virgo Dei Genitrix * Pange Lingua * Sacris Solemniis * Alma Redemptoris Mater * Ave Verum Corpus * Lauda Sion * Verbum Supernum."
Unfortunately, not being old enough, they are not Public Domain.
Having followed fellow forum-ites' suggestion of Gerald Near's St. Augustine Organbook, I've fallen in love with a few pieces in there, especially his settings of Adoro Te, Ave Verum Corpus, and O Sacrum Convivium.
massive lists ... aren't ... helpful ... hoping for ... personal favorites
Given that the Discussion topic did not specify this, and that the first post was equally silent on this requirement, and that the two lists identified more pieces than the other posts in total, and that almost three weeks (May 22 to Jun 10) were available for investigation and selection and practice, my post seemed appropriate. I guess YMMV.
From the lists, here are the two I used last weekend ...
If someone says, "Do you have any suggestions for good books to read this summer?" I think it's pretty obvious that a not-helpful answer would be, "Go to the library and look at the 'fiction' section. There's lots of good stuff there."
I liked the Boellmann pieces and am going to try to find the scores. Thanks for the videos, since I was not familiar with them. Marajoy, I am a librarian, so fiction sections are just another place to look.
Just click on the "free" link. The first verset is PDF pages 7-8-9. The second verset is PDF pages 10-11-12-13-14.
videos
More and more useful items become available daily and successful searching gets easier and easier.
The second verset is more dramatic than presented above; reserve the reeds for the fanfare phrases (e.g., m1-m7 et seq) and the melody phrases (e.g., m19-m28 et seq); at m85 during the quarter rest apply the SG coupler.
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