There’s an NPM Facebook discussion going on about general lack of simple editions of chant in 5-line notation. The same thread asserts that there are too few editions with written-out accompaniment.
I pointed him to the ISM in St. Louis; are there any other such resources?
Ari, this is a tremendous asset - I've been downloading them, always eager for the next installment! Thank you so much for these wonderful adaptations!
Always found it funny the huge fear over square notes. Most people in the pew cannot read music square or modern. They do get up or down and that is about it. Nevertheless, I have found Aristotle's work excellent. Waiting for the day the stigmas are removed....
They are outstanding, Aristotle, and they provide more variety to an accomplished choir who can do SEP square notes, Richard's Choral Propers pretty much at sight. The SEP has been the breakthrough in terms of geting the choristers to intuit "natural" declamation without stems. If one thinks about that, that means when they go to homophonic round notes, they're still good without stems, and should we go deeper into Latin chant notation, they won't be that deterred by new forms of neumatic notation.
Always found it funny the huge fear over square notes.
I don't know anyone who is afraid of square notes. I don't use them with the congregation because they are archaic and unfamiliar. Yes, I have heard the poetic waxing on the forum about their beauty, sacred line widths, holy inks, and etc. That's fine, if you find joy in them. I don't. Since the pastor doesn't want them used in congregational handouts, I don't use them.
This body of work Aristotle has produced, is a valuable resource for those of us dealing with the here and now. Granted, those who live in a pre-vernacular world may not find it useful. May the wicks in their kerosene lanterns disintegrate, and their organ pumpers all come down with the plague. ;-) Again, this is a great resource that works well for me, so thank you Aristotle. I will be using some of these settings on Ash Wednesday.
Well, we'll find out about congregtion ability on Feb. 28, CW, when our new bishop makes first visit to parish/deanery for Rite of Election. After the Latin intonation of "Invocabit te" we'll transition to SEP "When He calls to me" with the original neume version in the ordo. Won't be an Entrance hymn. I've done this at another of our parishes (the new one that has overhead screens) and they sang SEP proper there pretty well. The upshot point besides the sung one will articulate (subversively?) a clear "catholic" ethos to anyone with eyes to see. Then, we'll use Alstott's psalm with stemless notation and one of my Lenten G.A.'s. Bob Hurd's "Led by the Spirit" (Kingsfold) and then Monteverdi and Lotti motets. Plenty good room.
An unintended byproduct of this has been some folks reading these chants in 5-line notation. This is nice, as it provides an opportunity to use this collection for those who cannot read square notes, and so please understand first that I find this to be positive. However, I urge you to put some time toward the square note notation, as the SEP is indeed "simple" and a great "primer" course for reading this style of notation. I am personally "self-taught" (to great detriment, wahwah) in square notes, and any ability I have to sight-read this notation is directly a result of using the SEP.
To participate in the discussions on Catholic church music, sign in or register as a forum member, The forum is a project of the Church Music Association of America.