It's not explicit in the score, but the fact that you've set the Sanctus, Memorial Acclamation, and Amen to flow from the priest's melodies that ICEL provides for the new translation is a major plus. Would that more composers at least consider the possibility of integrating their work with the music already embedded into the Missal, regardless of their compositional language.
We'll be introducing this at St David of Wales this week. In pasting up a double-sided half sheet for the pews (title, Gloria-Sanctus-Agnus only) I couldn't help noticing the incorrect ICEL copyright date!
All I can add is that we prepared congregation for the Glory prior to Advent, debuted at Midnight and it continues to enjoy great reception, and participation anticipated based upon the curve of Royce Nickel's S. THERESE MASS. The congregation actually "had a say" in deciding 3 of 4 for Ralph Sherwin over another quite worthy Mass setting Glory. What was fulfilling while they exited and voiced their vote was the use of the word "chant" to indicate their preference.
Just started this setting with the congregation. Over the last few weeks of OT the Gloria was introduced. On the first Sunday of Lent it will be the remainder of the Mass. Jeff did a grate job with this. The music Gloria has an air of the great mystery and solemnity about it that really glorifies God Almighty! The rest of the Mass flows nicely as if it were one piece of music!
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