Thanks Adam! It is an honor to record this new, great music. I soon will have a website containing learning tracks of Renaissance polyphony and 20th Century sacred works. I'll be sure to post this upcoming choral resource when it is ready.
Maestro Curtis, if you have any tips to share about how to sing so perfectly in tune as you do (among many other extraordinary qualities)… well, I'm thinking a few of us would love to hear 'em!
Wow, this is tremendously exciting. Kevin Allen is one of the great composers of our time. But it took Watershed to make the difference for him. I'm enormously excited about this.
Though this might sound cliche and "duh!" I find that complete connection to the breath and lack of tension allow for the most consistent in-tune singing. Read Richard Miller's "The Structure of Singing." It is my favorite source. It takes a very acute awareness of how your own voice works and some of your tendencies. This is easier for me in my tenor voice. With the other voice parts, I use a pitch editing software to help achieve near perfection. "The Structure of Singing" is great, though, for those who haven't read books about pedagogy.
Also, as I just mentioned over at the Café, I must say that I am particularly pleased that many of these are settings of texts from the propers… and I hope that Mr. Allen will consider setting many more!
Indications below are for the modern (OF) calendar:
1. Oculi Omnium -- Gradual, Holy Thursday & Corpus Christi 2. Sepulto Domino 3. Intellige Clamorem 4. Hodie Scietis -- Introit & Gradual, Christmas Vigil 5. Hoc Corpus -- Communion, Holy Thursday 6. Sanctificavit Moyses -- Offertory, 24th Sunday OT (A&B) 7. Jerusalem Quae Aedificatur -- Communion, 4th Sunday of Lent 8. Qui Meditabitur -- Communion, Ash Wednesday 9. Juxta Vestibulum 10. Scapulis Suis -- Offertory & Communion, 1st Sunday of Lent 11. Gustate et Videte -- Communion, 14th Sunday OT 12. Ave Regina Caelorum 13. Tota Pulchra Es -- Alleluia, Immaculate Conception 14. Tristis Est Anima Mea 15. Tantum Ergo -- Hymn for Holy Thursday
Those I didn't indicate here might be on the EF calendar (I haven't checked).
Yes, read the book! The next step is spending thousands of dollars in voice lessons and a lifetime of applying it to your own voice. Isn't singing fun?!?
Mr. Curtis, Kudos for having the guts to admit you used pitch-correction software. In a multitrack situation, it's the obvious solution, especially when singing in extreme ranges. And nobody can argue with the success of the results!
Thanks, man, I am not ashamed at all. It is the way to go to make a good practice multitrack. Anything above soprano F and below Bass G I bend up or down.
Thank you Watershed and Jeffrey. This is incredible work. Many many people have been going bonkers for a very long time that this great composer has been obscured by the inavailability of his music. This collection is fantastic. Gratitude gratitude for your work here. This is really fantastic. History is moving forward thanks to your efforts.
1. Oculi Omnium -- Gradual, Thursday of 3rd week of Lent, Corpus Christi, 20th after Pentecost 2. Sepulto Domino -- Responsory, Lauds of Holy Saturday 3. Intellige Clamorem -- Communion, Wednesday of Ember Week in Lent and 2nd Sunday of Lent 4. Hodie Scietis -- Introit & Gradual, Christmas Vigil 5. Hoc Corpus -- Communion, Passion Sunday, Votive Mass for our Lord Jesus Christ 6. Sanctificavit Moyses -- Offertory, 18th Sunday after Pentecost 7. Jerusalem Quae Aedificatur -- Communion, 4th Sunday of Lent 8. Qui Meditabitur -- Communion, Ash Wednesday 9. Juxta Vestibulum -- antiphon, Ash Wednesday 10. Scapulis Suis -- Offertory & Communion, 1st Sunday of Lent 11. Gustate et Videte -- Communion, 8th Sunday after Pentecost 12. Ave Regina Caelorum -- antiphon, Sunday at Compline, Feb.2-Weds. in Holy Week 13. Tota Pulchra Es -- Alleluia, Immaculate Conception 14. Tristis Est Anima Mea -- Responsory, Matins of Maundy Thursday 15. Tantum Ergo -- Benediction hymn
"Those I didn't indicate here might be on the EF calendar (I haven't checked)." So I did. No promises of accuracy or completeness...I was working from the LU index, and Bausano,Sacred Latin Texts (Greenwood Press, 1998)
Just a suggestion for further publications though: These should have their EF/OF uses attached to them. Even Palestrina did that.
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