Disclaimer: I'm a *huge* fan of MacMillan's music.
After reading what he wrote in this post about the dealings he had with the liturgeists, I was expecting MacMillan's Mass setting to be some erudite exercise in an avant garde style.
Then I listened to it.
Really? Really people? All that bitterness and arguing over a beautiful, accessible piece of music? Any organist who collects a salary for his work should be able to play this piece without an undue amount of practice. Even the choir singing at the papal Mass (obviously not a polished group) was able to sing it accurately. What on earth was all the fuss about?
MacMillan has given us a gorgeous yet practical setting of the new English translation of the Mass. I hope it gets some play time in the U.S.
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