If you have divisi forces, Trond Kverno's AVE MARIS STELLA will overwhelm everyone. Grieg's setting is also compelling. I don't recommend the William Byrd STB version, however.
Even the hymn "Hail Queen of Heav'n, the Ocean Star" can be a very effective choral piece. Although not magnificent polyphony, it can build up confidence in a choir that they can sing something beautifully. If suitable forces are available, one way to perform it is with four parts on verse one, men only on verse two, women only on verse three and four parts on verse four.
The Josquin Ave Maria, virgo serena is...serenely beautiful! It's also tough and will need inner voices that don't mind a lot of crossings: probably need to pitch up a few steps, too. Also, it's a good rhythm drill! When it's done well, it's one of my favorite pieces of polyphony!
Oh yes, how could I forget? There are SATB arrangements of Rachmaninov's BOGORODITZE from the SV translated into the Ave Maria out there, that work quite nicely. Or you could simply sing the Russian!
Healy Willan (of St. Mary Mag's in Toronto Fame), set some of the Marian antiphons, including a very lovely setting of "I Beheld Her, Beautiful As A Dove".
Ave Virgo Sanctissima a 5 was one of the most well-known Marian motets in 16th century Spain and for good reason. Exaltata est by Morales is also excellent
Liszt - Ave Maria is nice
Any of the Josquin Marian motets, the most famous being Ave Maria virgo serena.
Gotta love the Bruckner setting. Don't remember where I found it, perhaps my favorite trek through the musical universe web site? IMSLP! Will go and see.
I have a fine choir this year and I'd like to do a Marian piece or two next month which is off my beaten path, so to speak. Any more recommendations out there?
I also had a fine organist fall into my lap, so pieces with accompaniment are definitely on the table.
"A Maiden Most Gentle" is lovely. I've substituted the standard text for the Christmas text. Once you learn it you can use it again at Christmas reverting back to the Christmas text.
Maria, Mater Gratiae by Faure. I don't believe this is still under copyright. A neat piece. It's not an easy piece, though I did have success teaching it and singing it myself as a boy soprano many years ago.
Hassler's Missa Dixit Maria is not difficult, so if you wanted, you could try a polyphonic Sanctus or Agnus Dei (if your pastor allows it).
I have transcribed the Grassi Salve Regina from the Ravanello anthology for SAB, and it is one of our favorite pieces to pull out for a Marian motet. (I've also transcribed it for flute and two violins, as we often have that combination available.)
Also, I found a scratchy recording of the Oswald Jaeggi harmonization of Salve mater misericordiae, wrote to the site owner, who sent me a scan of the hand-written manuscript, which I transcribed into Sibelius. The harmonization is definitely extended-tonal/Romantic and gorgeous. I added a simple bass line to the verses.
Finally, for a unison piece, the sequence Rosa vernans with or without the NOH accompaniment, is lovely.
If you're interested, I have both a 3-part setting of Ne timeas Maria and a 4-part setting of the Ave Maria. The 3-part is simple enough for my own boys to learn.
Other music that hasn't been mentioned: Robert Parsons' Ave Maria (a 6, if memory serves)
Depending upon your available singers, I have 2-, 3-, and 4-part polyphonic Ave Maria settings that are quite accessible. They're scattered around here on the MS forum, but also available at CPDL, which also hosts MP3 sound files:
One not mentioned that I come back to nearly every October: Sing of Mary, arr. Proulx, published by GIA. Outstanding arrangement, w/organ, strings, obbligato oboe (or flute), outstanding choral writing. Highly recommended.
When do you use Marian songs--be it choral or congregational--prelude, post-communion, recessional, or as an option 4 substitute for one of the propers? I typically stick to prelude or rcessional, bur wondered what others are doing.
Outside of feasts specifically dedicated to Mary (wherein you might also do a Marian choral piece at the offertory or after communion), I understand it is somewhat traditional to sing Marian hymns at the recessional.
Notre Dame Choir Editions, http://ndceditions.com/Catalog.html run by musicologist Ralph W. Buxton (a friend of mine), has thirteen Marian motets in the catalog, including a stunning SSATB "Regina caeli" by Isaac, the fantastic "Salve Regina" by Dufay, and a host of other excellent options.
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