I would love to hear your opinions on this little piece by Handel set to a religious text. At least, I think it is religious: Canticorum jubilo, Regi Magno psalite. I guess it could be about an earthly king. And true, when I think of it, I hear the words "See the conquering hero comes | sound the trumpet, beat the drums," but it would surely be effective nonetheless, if a bit showy.
Actually Jeff, that's a hymn tune, Maccabeus, "Thine Be the Glory". I wouldn't mind using it if I had time to teach the congregation. I'm not sure of its origin, but I'm pretty sure it's from his oratorio "Judas Maccabeus".
You can find a basic outline of what happened here.
Don't be fooled by the after-market Latin text! Even though Joshua was ostensibly a religious work, the chorus itself is not directed at God, but at Joshua; the dramatic situation is similar in Judas Maccabeus, in which the composer interpolated it because of its popularity.
Handel was a habitual self-borrower, so this isn't a big surprise. My point would be that, aside from the original context, the music is theatrical in character, and therefore unsuitable for Mass. I mean, I love the Verdi Requiem, but it just isn't made for church.
I guess this, rather than "Gift of Finest Wheat" is where I'd question the usefulness of "blacklisting" music. We have 3 people saying that "Thine Be the Glory" is unsuitable for liturgy, 1 saying it's suitable (and I'd rank it up there with any other traditional hymn). Who's to make this call? And would a bishop really dictate as others that "it's theatrical, therefore to be excluded from liturgy"? This is why I tend very much to view suitability to the liturgy as a subjective and individual judgment.
It seems to me that all the answers in this category are subjective by nature. Every director of music has his bête noire. This tune isn't it -- that would be the bloodthirsty and vindictive Battle Hymn of the Republic -- but my opinion is that it is not suitable for Mass.
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