This coming week, we're giving our adult choir a written test on music. For the choir we hope it'll be fun and different. No names are required so it's anonymous from the takers' side. For the DM and choir director it gives a picture of where choir skillsets are. In the course of the year we'll be giving 10-minute "theory" lessons each week. At the end of the choir year we'll give another test to see what folks have - and have not - learned.
That's a great idea. Directors tend to assume that everyone knows either nothing or everything. This will let you know where the biggest gaps in basic knowledge fall and then you can systematically patch them.
We gave our test tonight and the results were somewhat better than we'd hoped. Twenty people took the test resulting in a high of 100% (2 folks), a low of 30% (1 person) and a group average of 74%. It was done anonymously because the purpose was to discover what we need to teach this year, not identify the brightness of our bulbs. Based on results, the weakest area (far and away) is identifying key signatures. Time to roll out the Circle of Fifths somebody here mentioned the other day!
This summer I held 6 voluntary classes (two three week sessions) on very basic music theory for my choir, tailored to what choirs encounter most. Our weakest area seems to be basic rhythm and counting, by far. And it was eye-opening for them as well. They were able to come to the conclusion that learning new polyphony (always the dangling carrot) means real focus on their part.
Last week it was a written test. This week after a 10 minute presentation on what constitutes a hymn, the question (homework assignment) was simple: What are your 5 favorite Catholic hymns. Fifteen people turned in their responses. (The rest will have bad marks on their permanent records.) Mind you that this is our main choir, not a youth ensemble, etc. Results are attached.
[Edited to swap in a .PDF file for the .DOC file. Hopefully more readable.]
6 votes: Ave Maria 4: Amazing Grace Silent Night 3: Battle Hymn of the Republic Hallelujah Chorus Holy God We Praise Thy Name O Salutaris Hostia 2: Adeste Fidelis/O Come All Ye Faithful Come Holy Ghost Hail Holy Queen Holy Holy Holy/Holy Holy Lords Prayer/Our Father National Anthem/Star Spangled Banner O Lord I Am Not Worthy Panis Angelicus 1: All You on Earth Alleluia The Strife Is Over Angels We Have Heard On High Beatitudes Danny Boy Gloria Patri Here I Am Lord Holy God Art Thou How Great Thou Art Immaculate Mary Jesus Christ is Risen Today Joyful Joyful We Adore You Like a Deer Lo How a Rose Ere Blooming Lord I Am Not Worthy Make Me A Channel of Your Peace Mary's Child Mother Dear Oh Pray For Me No Greater Love O Come All Ye Faithful O Sacrament Most Holy O Sanctissima On Eagles Wings On This Day Most Beautiful Mother One Bread One Body Only This I Want Onward Christian Soldiers Precious Lord Shine Jesus Shine Sing A New Song Tantum Ergo The Old Rugged Cross There Is A Wideness in God's Mercy We Believe Were You There When I Behold the Wondrous Cross
Tom - Give it a whirl with your choir and see what results you get. I suspect if you've been teaching all along there's a good chance that your responses will differ. This 10 minute session is the first catechesis of its type that I've seen in any choir I've belonged to in half a century of singing; I suspect there's room for at least another 10 minutes for all of us. But I really would be interested in comparing notes.
I shall do that, Priorstf, it should be interesting. This will be at my home (N.O.) parish where I struggle to reintroduce truly Sacred music all the time with some growing success. (BTW my wife is co-director of the music ministry, I am merely one of the singers.) It also provides me with a an interesting dichotomy when I go off to one or another schola rehearsal at the other (E.F.) parishes I sing at. My question to them, including my wife, is what constitutes a hymn or more specifically lturgical music as opposed to the "praise music" that is so often passed off as such, and they (the N.O. members) can't answer.
I gave my women's schola the music test and am happy to report an average score of 80%. It did point up a couple of things they didn't know - and that might affect their music reading, so we'll cover those. Especially because I thought the items were "common knowledge."
I thought awhile before I did this- wasn't sure the choir would like it, but they did!
I think, however that the question about the relative minor key was way too
'out there'- most in my choir would have no conception of that . I think I will make up my own test soon as we get over Faure Requiem and All Saints,All Souls Liturgies.
Donna
Donnaswan - Glad your group did well. I deliberately tossed in some tough questions to avoid complacency. ("We aced it. We don't need no stinking classes.") The d minor key was also our worst. Of those who got it right, all but one wrote in "or F major"; most of the rest selected "key of B flat" showing a misunderstanding of key signatures. Something to work on for the year, at the end of which they will likely be presented with a similar question about e minor.
mjballou - My understanding is that a slur is between notes of different pitches, reprsenting smoothness, whereas a tie is between notes of the same pitch indicating length. Our choir's not always to good on the smooth part ... nor the counting part, for that matter. It's turning the "knowledge" into the "applied" that becomes the true challenge.
To participate in the discussions on Catholic church music, sign in or register as a forum member, The forum is a project of the Church Music Association of America.