The effect of this dynamic unity in diversity - a metaphor for our common journey of faith under the guidance of the Holy Spirit - is to help the listener to enter ever more deeply into the mystery expressed by the words, responding, where appropriate, with responses or in alternatim.
Precisely thanks to this richness of form and content, the Roman polyphonic tradition, in addition to having left us an immense heritage of art and spirituality, continues to be even today, in the musical field, a point of reference to look to, albeit with the necessary adaptations, in sacred and liturgical composition, so that through singing "the faithful participate fully, consciously and actively in the liturgy" (Sacrosanctum Concilium 14), with profound involvement of voice, mind and heart.
Before we get ahead of ourselves, please keep in mind that this message was spoken on a celebratory occasion, where one would expect some kind words. Pope Francis probably made similar comments on such occasions.
Pope Francis probably made similar comments on such occasions.
Pope Francis probably made similar comments on such occasions.
Together you can devote yourselves better to song as an integral part of the Liturgy, with Gregorian chant inspiring you as the first model. Take care together for artistic and liturgical preparation, and promote the presence of the schola cantorum in every parish community. In fact, the choir guides the assembly, and with its own specific repertoire, is a skilled voice of spirituality, of community, of tradition, and of liturgical culture. I recommend that you help the whole people of God to sing, with conscious and active participation and in the Liturgy. This is important: closeness to the people of God.
Active and conscious participation consists, therefore, in knowing how to enter profoundly into this mystery [of God], in knowing how to contemplate, adore and welcome it, in grasping its sense, thanks in particular to religious silence and to the “musicality of the language with which the Lord speaks to us”. It is precisely in this perspective that reflection on the renewal of sacred music and its precious contribution moves.
In this regard, a two-fold mission emerges which the Church is called to follow, especially through those who in various ways work in this area. On the one hand it calls for safeguarding and enhancing the rich and manifold patrimony inherited from the past, balancing it with the present and avoiding the risk of a nostalgic or “archaeological” outlook. On the other hand, it is necessary to ensure that sacred music and liturgical chant be fully “inculturated” in the artistic and musical language of the current time; namely, that they are able to incarnate and translate the Word of God into song, sound and harmony capable of making the hearts of our contemporaries resonate, also creating an appropriate emotional climate which disposes people to faith and stirs openness and full participation in the mystery being celebrated.
Singing well requires commitment and good will, but it is a gratifying effort, because it elevates the soul making, it more receptive to the voice of the Spirit, especially when your hymns accompany liturgical celebrations, allowing the faithful a greater rapprochement and deeper intimacy with God. In this way you help to express joy, trust, repentance, love ... Singing is a language that leads to the communion of hearts; I thank you in particular because, crossing every border, you spread a message of peace and fraternity.
In the choir one experiences the joy and charm of polyphony. I urge you to be “polyphonic” in everyday life too, both among yourselves and with others.
Your music and your song are a true instrument of evangelization to the measure in which you bear witness to the depth of the Word of God which touches people’s hearts and allows a celebration of the sacraments, in particular of the Holy Eucharist, which enables one to perceive the beauty of Paradise. Never cease in this task so important for the life of our communities; in this way, through song, you give voice to the emotions that are deep in each person’s heart. In moments of joy and in sadness, the Church is called to always be close to people, to offer them the companionship of faith. How often music and song make these moments unique in people’s lives, because they preserve them as a precious memory that has marked their existence.
In formulating the renewal of the liturgy, the Second Vatican Council emphasized that “the musical tradition of the universal Church is a treasure of inestimable value” (Constitution Sacrosanctum Concilium, 112). Indeed it is.
You are custodians of a centuries-old treasure of art, beauty, and spirituality. Do not let the mentality of the world taint it with self-interest, ambition, jealousy, or division, for such things, as you know, can infiltrate the life of choirs as well as communities, making them places that are no longer joyful but sad and burdensome, even leading to their disintegration. To this end, it will be good for you to maintain the lofty spiritual tenor of your vocation through prayer and meditation on the word of God, participating in the liturgies you animate not only with your voices but also with your minds and hearts, and by enthusiastically living your daily lives accordingly, so that your music may increasingly be a joyful self-offering to God, who with his love attracts, enlightens, and transforms everything (cf. 1 Cor 13:1-13). In this way, you will fulfil the exhortation of Saint Augustine: “Let us praise the Lord with our lives and our tongues, with hearts and mouths, with our voices and our behaviour” (Sermo 256).
Pope Francis never ever said a nice thing about this subject. He only spoke vaguely about sacred music. He never praised polyphony and above all Palestrina in terms that BXVI would recognize. Francis would never allow himself to be pinned down on a topic with such comments. I can find two addresses by the pope on sacred music. Neither get into details. He doesn’t single out polyphony as being of great importance. He doesn’t even mention chant (keep in mind that both the papal Mass and the conventual Mass of Saint Peter’s Basilica decayed under Francis…)
Leo didn’t have to deliver these remarks as is! They reflect his thinking even if they are written by someone else, which is the same as with an encyclical. It would be fundamentally dishonest for the pope to deliver this address in this form if he didn’t read and approve the text and if he is unwilling to be reminded of what he said in the future.
this is the foundation of the true problem with this mindset… it NEVER needs renewing… sacred music (that is authentic) is pristine in its inception.. it just needs to be handed on from generation to generation while new forms that find its roots in the same should be encouraged. BTW… this is true also with the liturgy itself. It also never needed “renewing”. The word ‘Renewal’ is a cloaked attack on anything Catholic.renewal of sacred music and its precious contribution…
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