Almost all the music presented includes, to the upper right of each example, the acronym “CAO” (followed by what I presume is a catalog number) which I have not found defined in the “Sigla in Indicibus Adhibita” at the end, or anywhere. If anyone knows, kindly fill me in? Many thanks.
The abbreviations are listed on pp. 13-14 of the book (2015 edition); CAO stands for:
R.J. Hesbert, Corpus antiphonalium Officii, vol. III, Invitatoria et Antiphonae; vol. IV, Responsoria, Versus, Hymni, et Varia, Rome: Herder, 1968-1970.
2. Cantus IDs of chants included in CAO are usually (although not always) built by zero-left-padding to the six character length, so that e.g. CAO 3255 is https://cantusindex.org/id/003255 at CantusIndex
That'd be Jeorg Hudelmeier's pdf! I use it constantly and I'm happy more people are enjoying it.
Since we're asking about acronyms, I've got a list here of the ones for sources in the document, but I don't know what all of them are (since I don't have the actual book). Would anyone be able to fill in the blanks here?
Because the Antiphonale Solesmense (1935) contains antiphons that the Antiphonale Monasticum (1934) does not. A few examples:
Praeclara salutis (AS 842) for B. Mariae Virginis de Lourdes (February 11) [but also in AR 540] Illuxit dies (AS 855) for Ss. Perpetuae et Felicitas (March 7) Martyr et pontifex (AS 982) for S. Bonifatii (June 5)
From what I noticed by quickly scanning OCO is that the references to AS are sparse and are limited to mostly the Proper of Saints (but I may be wrong...)
Mil: melody taken from the Milanese (i.e., Ambrosian) tradition Rom: melody taken from "old Roman" chant Sol: ancient melody adapted by Solesmes tr. man.: medieval antiphon lacking a CAO #
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