Do the members of the forum have any wedding choral repertoire that you sing that isn’t Duruflé’s Ubi Caritas? It is a lovely piece, but the schola needs to change things up a bit! Rise Up my love by Healey Willan is one piece that is quite beautiful. Your help is much appreciated! God Bless
There’s the Gjeilo Ubi Caritas that we sang at TLM nuptial Masses
Had a bride request Adoramus te Christe sung in SATB Lasso’s In te speravi Domine Numerous Ave Maria’s Palestrina’s Sicut Cervus Numerous polyphonic Mass settings
If you can do five voice, Palestrina set much of the Song of Songs. Although it’s a bit off topic, I have always liked the Monteverdi, Ego flos campi for alto solo and continuo.
This is a spreadsheet with a list of suggestions I've provided for weddings in the past in my contracting work. I've mostly done Latin Mass weddings with a pick-up group of pros, so that's what this is focused towards, but hopefully this is helpful.
I'm also going to look through the suggestions from other posters and possibly add some of them as well, so thanks for this thread!
Clara, This is an excellent list. Two small notes: 1. The Clemens Ego flos campi is in seven voices (not six): SSATTBB. 2. Clemens also wrote a longer Ego flos campi for three voices, which can be sung SMezA or TBarB.
Aside from choosing music that is either directly or a paraphrase of a proper or part of a proper, it seems to me that there really is so much to choose from for a wedding Mass. Put another way, outside the Propers, one could choose just about anything at a Nuptial Mass, as long as it is not contrary to some aspect or angle of a wedding Mass or the conjugal life.
Our Nuptial Mass (TLM) was on September 3rd, a Saturday that year, the Feast of St. Pius X in the old calendar. We chose Mass XII to be sung, which is one of the Masses prescribed (or rather, I suppose merely recommended) by the Liber for that class of feast. Outside of the Propers, we had Cantate Domino (Hassler) sung after the Offertory chant, and Caro mea (A. Gabrieli) after the Communion chant (which was repeated in between a few Psalm verses). We also had the (monastic) Solemn tone Salve Regina chanted while we made a visit to a Marian statue at a side altar at the end of the Mass.
We didn't have much of a reason for either of the choral pieces we chose, other than the Cantate Domino sounded both textually and musically joyful, appropriate for the occasion; and Caro mea obviously for it's text and solemn beauty, appropriate for Communion. And overall we just really liked those two pieces!
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