Agreed.The story benefits immensely from the black-and-white cinematography and scene framing. The opening scenes conveying the destitute poverty of typical mid-19th French townfolk - and of the Soubirous family in particular - deftly lay the foundation for what follows.
Yes. Sad, though, that “in real life” she didn’t have such a conversion of opinion or attitude toward Bernadette.Speaking of transformations, this film contains one of the most profoundly moving scenes of any I've ever seen: namely, when Bernadette's former school mistress turned [antagonistic] novice-master finally witnesses the true extent of Bernadette's silent suffering. The expression she portrays stirs me to the depths of my soul every time.
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