I came across the wonderful poem by James Matthew Wilson a couple years ago and knew it needed a musical setting. After a long compositional process, rounding up my finest singers, losing one to quarantine(!), and a rigorous rehearsal schedule, I finally have something to show for it!
I've attached a score and I'll link the recording from my Christmas concert below. The poem is a pantoum, inspired by the preface for Xmas Day:
"For in the mystery of the Word made flesh a new light of your glory has shone upon the eyes of our mind, so that, as we recognize in him God made visible, we may be caught up through him in love of things invisible."
For the music, I used a free rhythm, and, as you'll see, an expansive harmonic language. You'll notice that, when Wilson repeated a line in different context, I re-used the harmonies from the first occurrence of the text, but voiced them differently.
I'm grateful to Dr. Wilson for allowing me to use the poem, my fabulous student singers, and some colleagues who gave me valuable feedback. Enjoy!
I think the juxtaposition of quite regular rhythm (not metrical, but still regular) with the regularly changing harmonies works well to convey both a peaceful mood and also a sense of being "wrapped in the cloths of mystery". The music dances around the object of contemplation in the manger, sort of wheeling round a quasi-circle of fifths like stars in orbit. Within - not quite unwrapped - is the joy of the Christ Child. But I guess that's why it's a preface.
Couldn't help but notice the following (it's ingrained into my musical sensibility).
m.4 down a minor third: Soprano D Eb C Db becomes H C A B (German spelling, where H=B-natural & B = B-flat); and Tenor Db C Eb D becomes B A C H.
m.9: down a major third: Tenor D# E C# D becomes H C A B.
B A C H and (more often) H C A B occur with some regularity in music that I have encountered. This occurs in a few of my own works, almost always by sheer accident ... the most recent is B A C H, which appears in m.11, middle voice, in "Bring us, O Lord God" for 5-voices - untransposed (in the original key of F-major).
To participate in the discussions on Catholic church music, sign in or register as a forum member, The forum is a project of the Church Music Association of America.