Something I have been working on for past few years is a collection of hymns to St. Joseph. I recently did a survey which includes mostly American hymnals and few from Europe about 80 hymnals dating from 1858 to 1958. I haven't come across any choral arrangements per say but a great many SATB and SA. I did not see many Latin hymns save "Te Joseph Celebrant and Salve Pater Salvatoris". The ten hymns that appear in most Catholic hymnals are:

Hail Holy Joseph Hail (49)
Dear Guardian (Husband) of Mary (38)
Holy Patron Thee Saluting (30)
Holy Joseph Dearest Father (17)
Great St. Joseph Son of David (14)
Te Joseph Celebrant (12)
St. Joseph Our Certain Hope (of Life) Below (11)
Salve Pater Salvatoris (11)
Joseph Pure Spouse (10)
Dear Joseph Pure and Gentle (8)

The number in parentheses is the number of times I encountered the hymn. While conducting the survey I encountered several melodies for each hymn but I have not tried to determine if one melody had more "presence" than others.

There is a collection of St. Joseph hymns arranged by Theodore Marier which includes some of the hymns above which I received from oldHymns, a forum member here.

I have a St Joseph anthem composed by friend, let me see if he would mind sharing it

The Te Joseph Celebrent by Ravanello is just one of the most gorgeous pieces (the fact that my first hearing of it was by these wonderful nuns may have inadvertently had an affect of such) I've ever heard.

I have one other, O Joseph, Most Glorious, which was also written for St. Joseph's Old Cathedral. This one is more of a pious hymn, which is to say, more of a simple 'song' rather than a traditional hymn, as such. It is melody over an accompaniment which isn't meant to be sung as SATB. It's a catchy little ditty and will get stuck in your head though, and people love singing it (although I admit it is not my finest musical opus). It makes appeals to Joseph's titles, especially in the last verse, the latter half of which was initially conceived as a longer refrain ("protector, defender, and great intercessor, O Joseph, most glorious, ora pro nobis!").

Here's my edition of the Ravenello including the even verses to the chant melody.

Also the St. Joseph hymn that I commissioned from Kathy P. and have shared on this forum before. Here it is set to a tune that I wrote, but it also works with ST. ANNE.

@CCooze I'm not sure where you are looking. Measure #? I simply copied from the written score and separated the voices onto their own staff. My choir gets confused when the voices cross.

I've included the Litany of St. Joseph in chant and an English chant adaptation in this collection of litanies that I typeset: https://jenniferdonelson.com/wp-content/uploads/2020/05/Popular-Litanies-in-Latin-and-English-Chant.pdf

@Early_Grey , whoops. I'm talking about the 2nd beat of m6.

Jeff, have you tried Here
also I meant to add a resource A_Primer of Ecclesiastical Latin I have this book and it has come in handy on many occasions.

Many parishes use the seasonal Marian antiphons at the end of Mass, either just before the recessional hymn or just before the organ postlude (when a hymn is not sung).

At our parish we'll be substituting the Ecce fidelis servus antiphon — the Magnificat antiphon for 2nd Vespers of St. Joseph, Mar. 19th — in place of the seasonal Marian antiphons at the end of Mass, starting on the Feast of the Holy Family and continuing throughout calendar year 2021. A simple but regular way to mark the year of St. Joseph.

Strictly speaking there is no such thing as a “processional”. (I’ve been corrected by my pastor, lol.) there’s the entrance antiphon which is a proper and deserves its place in the liturgy in its own right.

I highly doubt that our Lady is jealous in heaven. Her place is secure and everyone knows it, down to the lowest demon in hell. In fact, I suspect it will bring Her joy to see St. Joseph given more honor. The mystics say that St. Joseph is leagues above all the other saints in heaven (apart from Our Lady of course) and the holiest man who ever lived apart from Christ.

Joseph gets no respect.

@CCooze I see now. Well, I was just copying the written score that you referenced. Lyric alignment doesn't mean much in those scores, so I was going by the slurs. Technically, what the sisters are singing should have three eight notes slurred together, and the 4th note would not be slurred (or beamed). Then again, different publishers follow different conventions. I suppose the recording is just an editorial choice on their part and it sounds perfectly fine. Do whatever you want. Who knows what Ravenello intended.

If you'd like me to edit it to reflect the recording, I could, but not until after Christmas. Or just tell your choir to mark it with a pencil.

Jeffrey, the version in D is charming. I might have to make a new edition. I’ll share it here if I do.

The justus by Rheinberger makes a great postlude too. It transcribes as an organ fugue 1:1.

This isn't the same setting of Te Joseph, celebrent CCooze is looking for, but if anyone is interested, last summer I gave a talk on a choir book from Colonial Mexico that contained an unusual setting of this hymn. It's a variant of a hymn I found in two 18th-century sources from Spain, one of them from 1746.

N. B. Only the 1st, 3rd, and 5th verses are given in the Mexican manuscript; I'm assuming an organist improvised the other verses.