And several other uses, particularly Assumption. And as a sequence for Sunday within the octave of Saint Edith (Sarum I imagine)Cantus ID: 001542
Genre: A
Full text:
Ave regina caelorum ave domina angelorum salve radix sancta ex qua mundo lux est orta virgo gloriosa super omnes speciosa vale valde decora et pro nobis semper exora Christum alleluia
Feast: Suff. Mariae
John of Parma, in 1249, mentions these four antiphons in a letter he sent to the Friars Minor about the use ofthe Breviary ofAymo, and Pius V made their recita-
tion obligatory.
Author. Unknown. It is a metrical adaptation of the antiphon: Ave regina caelorum, ave domina angelorum, salve radix sancta ex qua mundo lux est orta;
gaude gloriosa, super omnes speciosa. Vale, valde decora, et pro nobis semper Christum exora. (C£ Daniel, II, 319.)
This antiphon seems to have been used in some places in the twelfth century as the antiphon for None on the feast of the Assumption. For this the titles given to our Lady are most appropriate, and the last lines, with their Vale and exora, peculiarly so. (Dom B. Capelle, in Les Questions Liturgiques et Paroissiales, March 1950, pp. 33-5). The Collect after the Ave regina suggests such a connection as, with memoriam agimus for festivitatem praevenimus, it is the same as the Post-Communion ofthe Vigil ofthe Assumption. The Ave was later put into its present form and used as one of the seasonal antiphons. It must be admitted that it is not so well suited to its season as the others are to theirs.
Du Fay died on 27 November 1474. He had requested that his motet Ave regina celorum be sung for him as he died, with pleas for mercy interpolated between verses of the antiphon, but time was insufficient for this to be arranged.
To participate in the discussions on Catholic church music, sign in or register as a forum member, The forum is a project of the Church Music Association of America.