OK, so I just heard the A.F. Webber setting of Pie Jesu for the first time. I'm not much of a Broadway fan, so don't shoot me for just discovering this arrangement :-)
I found Webber's melody hauntingly beautiful. With a little work on the rhythm for "miserere nobis" and a dignified setting, I could see this as a viable replacement for the Massive Cremation version of the Agnus Dei heard at my parish's weekly OCP 4 hymn sandwich Mass.
Am I crazy? Or am I succumbing to the dark side? Surely it couldn't be any worse than what I am currently enduring. For what it's worth, my parish did just do Agnus Dei XVIII for 6 weeks during Lent, so authentic chant is not totally foreign here, but it isn't heard too often.
Well, we can be shot together because I rather like the piece - and it will be the surviving section of the Requiem. And it is definitely better than many poor "Lambs of God" wandering around out there. Right now, I've been enduring the Isley (sp?) "Laaaaaaaaaaaaaaaaaaaaaaaaaaaamb of God" and noting its bleating quality.
It's a beautiful piece, but it's concert music, just as many settings of the Requiem Mass text are. If the published versions all have only the 'dona eis requiem' text, it's technically a copyright violation (I believe) to alter it.
I agree. Fine music, but probably not 'fitting'. It reminds me of one of my schola member who asked me why we don't sing 'Panis Angelicus.' (Franck). It's beautiful for sure and much better than ' Let us break bread."
Isele.....I think. Anyhoo, no dog in this fight. All the "achingly" beautiful ones require accomplished singers, whether ALW, Faure, Rutter or one that we recently debuted, the Manalo. Besides the chant, I fault towards the Faure. I happened to hear Westminster Abbey's Choir rehearsing the ALW on a visit in summer of '97; it is enchanting. I've also been a backup singer to ALW's ex, Sarah Brightman, who sang PJ here in Fresburg a few years back. And here's the deal with that: when we have occasion (funerals) to do the ALW per request, I can't get that association of the performer to the music out of my consciousness; to me, that's a problem. FWIW.
I have seen that Isele "Lamb of God," because it's in RitualSong. I have not seen or heard the rest of the mass setting that goes with it. RitualSong is legendary for having mass fragments from unrelated compositions.
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