I sit here irked because the OCP liturgy magazine thing that arrived fails to recognize CMAA in its list of valuable resources.

And that their editors give the Roman Catholic Church "Now Thank We All Our God" instead of:

Praise we our God with joy,
And gladness never ending.
Angels and Saints with us
Their grateful voices blending,
He is our Father dear,
O'erfilled with Parents' love;
Mercies unsought, unknown,
He showers from above.

The text in Catholic hymnals in the 1890's.

A letter thanking the of this hymnal editor is signed:

From the Vatican, June 8th, 1898.
LEO XIII. , POPE.

And from the introduction from the editors:

The Editors have had great pleasure in producing, some for
the first time, many fine tunes by English Catholic composers,
notably the celebrated "Angelus ad Virginem" (No. 18), taken
from a I3th century manuscript in the British Museum. This
exquisite melody, immortalized by Chaucer, was discovered
within recent years by the late Henry Bradshaw, University
Librarian at Cambridge. For the transcript here published the
Editors have to thank Mr. H. Ellis Wooldridge. One or two
compositions by William Byrd are also given. Byrd remained
faithful to the Catholic faith in times of persecution, and at the
age of 80, in 1622, said in his will : "That I may live and die a
true and perfect member of His Holy Catholic Church, without
which I believe there is no salvation for me." Thomas Tallis was
godfather to William Byrd's son, Thomas Byrd, and no one
can doubt but that he also held to the old faith. Under No. 99
will be found a very fine composition by Samuel Wesley, son
of Charles Wesley, and nephew of the celebrated John Wesley.
Samuel Wesley became a Catholic and wrote a Coronation Mass
for Pope Clement XI. Another good English Catholic composer,
whose works appear here in some quantity for the first
time, is R. L. de Pearsall. Through the kindness of his
daughter the Editors have had access to a considerable collection
of his hymn -tunes. To this list of English Catholic
musicians must be added the name of the late W. S. Rockstro,
with whom the Editors were associated for some time when
this work first began, and whose profound knowledge has done
much in England towards the restoration of early sacred music.
In returning thanks for help the Editors recognise how wide
and deep are their obligations.

[editors who realize their obligations...]