There are, indeed, multiple pointing 'methods', especially from recent years (or decades). That of John Scott is amongst the most daring and artful of any. At least, by pushing the cadences further back in the verse we have eliminated that old 'Anglican thump' whereby we rush up to the last one or two accents and then pound the dickens out of them.* What we have achieved with our various 'modern' pointings is a far more musical result than what is found in, say, the 1940. One thing that is better about the 1982 is the modern pointing of the chants....a reason for it.
To participate in the discussions on Catholic church music, sign in or register as a forum member, The forum is a project of the Church Music Association of America.