Please sing this for the upcoming feast days of St. Michael and Our Lady of Fatima in which St. Michael played a significant role. It is performed with full organ with reeds and chanted with confidence and strength of voice.
lol. pull a 32 and play up one octave for the b. or couple the mans to ped at the b and play up one octave. or play the entire bass line up one octave and use appropriate registration. or have the choir sing all the parts a cappella starting on an 'ah' with nearly closed lips. On each new sentence have them open their mouths until the last sentence becomes a full open "ah" at fff. (and if you have a basso profundo, send me a recording) or use a simulacrum (synthesizer) for the bass line in conjunction with the organ. (sorry MJO... this might be the only time I would use a synth at Mass)
Here's another offering - this was written for a contest many years ago; it didn't win, and it's never been sung. Curious to see if it could be useful.
The melody is in the top voice(s) (tenor, soprano), and can be used alone of course. The 3-part harmony is for equal voices, simply doubled at the octave for the mixed choir version.
Sir, it’s of my own doing. I had come into the possession of the version posted by Brothermonk via a friend in NY who had association with him, and while I thought that version was nice, it was also a bit too jarring for congregational use if it ever came to that.
Thank you for the compliments Francis, it means much to me. I will just add that I personally find beauty in the more simple aspects of art meaning “they shouldn’t be overly complicated to figure out, nor be too intrinsic that the point of prayer is lost”. IMHO this goes for any chant, or polyphonic piece out there.
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