Kosloski: Why the Devil Hates Sacred Music
  • Blaise
    Posts: 439
    Why the Devil Hates Sacred Music

    By Philip Kosloski, MA (Theology)

    "The reason why music is able [to] influence society so much is on account of its ability to bypass reason."
    Thanked by 1M. Jackson Osborn
  • Chris Garton-Zavesky
    Posts: 6,902
    I haven't read the article (yet), but I think the statement should include the observation that, by bypassing the reasoning center of the brain, it has the capacity to rewrite the matrix, and thus make the individual human person well-tuned only to noise.
  • CharlesW
    Posts: 11,934
    Music has always bypassed reason from swooning audiences at Beethoven concerts. to fainting women hearing Liszt perform. Nothing new under the sun.

    I always thought the devil was probably a Schoenberg fan.
  • troymccarthy
    Posts: 2
    You have accurately noticed here that devil likes Schoenberg. I think so too! His music is really demonic
  • M. Jackson Osborn
    Posts: 8,368
    Glen Gould was something of a Schoenberg disciple - which may say something about his manner of playing Bach, and his playing in general.
  • ClergetKubiszClergetKubisz
    Posts: 1,912
    The adversary hates anything that is sacred, because it brings us closer to God.
  • IdeK
    Posts: 87
    The devil loves mediocrity and chatter. Sacred music is demanding, so no place for mediocrity or tepidity, and it does not tolerate chatter.

    Then I quite agree with ClergetKubisz : the devil hates anything sacred.
  • melofluentmelofluent
    Posts: 4,160
    Well, if it likes Schoenberg, it must love Webern.
    Thanked by 1CharlesW
  • dad29
    Posts: 2,217
    devil likes Schoenberg


    Perhaps the Schoenberg post-Friede Auf Erde
  • StimsonInRehabStimsonInRehab
    Posts: 1,916
    the devil hates anything sacred.


    AND

    "There’s ne'er a villain dwelling in all Denmark
    But he’s an arrant knave."
    -- Hamlet, Act I, Scene 5

    :D

    AND (as long as I'm quoting the Bard, I might as well mention his thoughts on music):

    "The man that hath no music in himself,
    Nor is not moved with concord of sweet sounds,
    Is fit for treasons, stratagems, and spoils.
    The motions of his spirit are dull as night,
    And his affections dark as Erebus.
    Let no such man be trusted. Mark the music."
    -- The Merchant of Venice, Act V, Scene 1
    Thanked by 2M. Jackson Osborn CHGiffen
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