The plan is to have 2 and 3 voice settings for EACH text . . . so far, so good!
Now, a few items that I've love to have some help with:
--Title suggestions?
--Any particular feasts that I'm missing? Here's what I plan on including (liturgical season and feast days that can replace a Sunday):
Advent (2 different texts: Rorate and Ad te levavi) Christmas (Puer Natus) Epiphany (Vidimus) Baptism of the Lord (Benedictus Lent (Miserere Mei) (Note: No Holy Week stuff . . . plenty out there already) Easter (Haec Dies) Ascension ("God has gone up...") Pentecost ("Come, Holy Spirit, fill the hearts...") Trinity (Gloria Patri) (Note: No Corpus Christi . . . did I mention I have a whole book of Eucharistic motets already? ; ) Marian (Ave Maria) Wedding?? (good text to consider?)
Presentation of the Lord (Ecce Venit) Nativity of John the Baptist (?) Peter and Paul (Tu Es Petrus) Transfiguration (Probably "This is my beloved Son") All Saints (O Quam Gloriosum) All Souls/funeral (Requiem Aeternam) Dedication of the Lateran Basilica ("I saw the holy city..")
(Note: Not sure that I'll do separate texts for Immac. Conception and and Assumption, thinking that both could be covered by the Ave Maria listed above)
--I'm open to suggestions for 2-pt and 3-pt excerpts to consider . . . 3-pt settings are fairly plentiful, but I need more quality 2-pt excerpts! Again, I'm trying to confine myself to the Mass Ordinary . . . main fodder has been "Benedictus" movements, as well as brief snippets in the midst of Gloria and Credo movements (Kyrie and Agnus settings almost never scale down the texture).
With the help of my esteemed friend and colleague, Ben Yanke, I hope to have this collection ready by the spring!
In my previous collection, I put both SA and TB versions within the book . . . this new collection, however, will have many more motets and I've decided to put just one 2-pt score in the book, and separate editions can be downloaded online.
And so, wondering the best way to put a 2-pt score in the book that can be used SA or TB . . . I'll use treble clefs for both, with the octave down option in parentheses (8). But I'm not sure how to title each system . . . "High" and "Low" doesn't work, and "Soprano/Tenor" and "Alto/Bass" seems a bit unwieldy.
I've noticed that among more traditionally minded people the pronouns of the Deity are capitalized, while among the more modernistic they are left in lowercase. Sometimes capitalizing the pronouns referring to God can lessen confusion, i.e.: "And He said to him", vs. "And he said to Him"; whereas "And he said to him" is ambiguous, though context would lessen the ambiguity. I would capitalize pronouns referring of the Deity. YMMV.
Incidentally, did you check to see what you did in "Bread from Heaven" (don't have my copy in front of me right now)? Consistency from one book to the next wound be important--for me, anyway.
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