Redemptionis Sacramentum
On certain matters to be observed or to be avoided regarding the Most Holy Eucharist
...
[4.] “Certainly the liturgical reform inaugurated by the Council has greatly contributed to a more conscious, active and fruitful participation in the Holy Sacrifice of the Altar on the part of the faithful.”[10] Even so, “shadows are not lacking”.[11] In this regard it is not possible to be silent about the abuses, even quite grave ones, against the nature of the Liturgy and the Sacraments as well as the tradition and the authority of the Church, which in our day not infrequently plague liturgical celebrations in one ecclesial environment or another. In some places the perpetration of liturgical abuses has become almost habitual, a fact which obviously cannot be allowed and must cease.
...
[53.] While the Priest proclaims the Eucharistic Prayer “there should be no other prayers or singing, and the organ or other musical instruments should be silent”,[132] except for the people’s acclamations that have been duly approved, as described below.
...
footnote 132
Missale Romanum, Institutio Generalis, n. 32.
approved by the same Pontiff on the Solemnity of St. Joseph, 19 March 2004, and he ordered it to be published and to be observed immediately by all concerned.
32. The nature of the “presidential” texts demands that they be spoken in a loud and clear voice and that everyone listen with attention. Thus, while the priest is speaking these texts, there should be no other prayers or singing, and the organ or other musical instruments should be silent.
32. Natura partium « præsidentialium » exigit ut clara et elata voce proferantur et ab omnibus cum attentione auscultentur. Proinde dum sacerdos eas profert aliæ orationes vel cantus non habeantur, atque organum vel alia instrumenta musica sileant.
"I am convinced that the crisis in the Church that we are experiencing today is to a large extent due to the disintegration of the liturgy" (Cardinal Ratzinger, Milestones: Memoirs 1927-1977, Published by Ignatius Press)
"Pope Paul VI saw liturgical abuse as Smoke of Satan" entering the Catholic Church (OMELIA DI PAOLO VI).
Liturgy is in no way a trivial matter. Save the liturgy, save the Church, and save the World!
New Policy for the Approval of Musical Compositions for the Liturgy
The following policy was approved by the Bishops' Committee on the Liturgy on November 10, 1996. This policy will be used by the Secretariat for the Liturgy in decisionsconcerning [sic, missing space] the release of liturgical texts for musical compositions.
1. No official approbation is required for hymns, songs, and acclamations written for the assembly,{1} provided they are not sung settings of the liturgical texts of the Order of Mass. Nevertheless, the Committee on the Liturgy has always encouraged composers of hymns, songs, and acclamations to "select texts that truly express the faith of the Church, that are theologically accurate and liturgically correct."{2}
2. Liturgical texts from the Order of Mass, however, must be approved by the Secretariat for the Liturgy before copyright agreements may be drawn up with the International Commission on English in the Liturgy (ICEL) or the United States Catholic Conference (USCC). The composer of such texts "must respect the integrity of the approved text. Admittedly, not all texts, as approved by the episcopal conference, easily lend themselves to musical composition because of their style, length or translation. Nevertheless, composers may not alter the prescribed texts of the rites to accomodate them to musical settings. The Church is always concerned about the use of the approved liturgical texts be they written, spoken, proclaimed, or sung."{3}
Minor grammatical adaptations may, however, be made in isolated instances with the prior approval of the Secretariat. Likewise, composers may compose appropriate tropes for Form C of the Penitential Rite and for the Lamb of God{4} and the Great Amen may be augmented and repeated.{5} Finally, the addition of refrains to the Glory to God is permitted, provided the refrains encourage congregational participation.
[sic, no blank line, just start a new line]Further alterations to the liturgical texts from the Order of Mass, including the composition of new texts for acclamations during the eucharistic prayer, will not be authorized.
3. All musical settings of liturgical texts from the Order of Mass,{6} must be submitted to the Secretariat during the final steps of editing before being submitted to ICEL for a contract for release of copyright. After a determination of the accuracy and suitability of the liturgical text has been made by the Secretariat, the publisher will be authorized to use the phrase: Published by the authority of the Bishops' Committee on the Liturgy. The publisher will also be required to submit three copies
[sic, page turn here]
of the published work to the Secretariat for its archives. Only those musical settings of liturgical texts from the Order of Mass which have received the approval described in this paragraph may be used in the liturgy in the United States of America.
4. The Secretariat for the Liturgy also assumes the responsibility for approving both the text and musical settings for ministerial chants.{7} Approval will permit the publisher to include the phrase: Published by the authority of the Bishops' Committee on the Liturgy.
5. All liturgical books or significant excerpts from liturgical books must be submitted to the Secretariat for the required concordat before being sumbitted to ICEL for a contract for release of copyright. The publisher will also be required to submit three copies of the published work to the Secretariat for its archives. Only those liturgical books which have received the approval described in this paragraph may be used in the liturgy in the United States of Aperica. In addition to this approval, the publisher will be required to negotiate a contract with USCC, ICEL, and any other bodies holding copyright interest on the material before being permitted to place the concordat in the publication.
6. This policy becomes effective on November 10, 1996.
Notes
1. Appendix to the General Instruction of the Roman Missal, number 19.
2. Committee on the Liturgy, "Letter to Composers," November 23, 1980.
3. The basis for this concern is the Church's responsibility to safeguard the doctrinal content of prayer texts. The Constitution on the Liturgy, no. 36 (4) states: "Translations from the Latin text into the mother tongue which are intended for use in the liturgy must be approved by the competent territorial ecclesiastical authority mentioned above" (i.e. episcopal conference, Apostolic See). ("Letter to Composers," note 9).
4. See the Order of Mass and Liturgical Music Today, nos. 20-21[sic, period missing]
5. Music in Catholic Worship, no. 58.
6. All texts found in the Order of Mass of the Sacramentary for use by the priest or the assembly which are set to music are included in this section.
7. All texts found in the Order of Mass of the Sacramentary for use by the priest or other ministers which are set to music are included in this section. See Musicam Sacram, no. 57 and Inter Oecumenici, no. 42.
393. Bearing in mind the important place that singing has in a celebration as a necessary or integral part of the Liturgy,[152] all musical settings of the texts for the people’s responses and acclamations in the Order of Mass and for special rites that occur in the course of the liturgical year must be submitted to the Secretariat for the Liturgy of the United States Conference of Catholic Bishops for review and approval prior to publication.
[...]
In the dioceses of the United States of America there are four options for the Entrance Chant: (1) the antiphon from the Roman Missal or the Psalm from the Roman Gradual as set to music there or in another musical setting; (2) the seasonal antiphon and Psalm of the Simple Gradual; (3) a song from another collection of psalms and antiphons, approved by the Conference of Bishops or the Diocesan Bishop, including psalms arranged in responsorial or metrical forms; (4) a suitable liturgical song similarly approved by the Conference of Bishops or the Diocesan Bishop.
To participate in the discussions on Catholic church music, sign in or register as a forum member, The forum is a project of the Church Music Association of America.