I have three questions pertaining to the music of the Requiem Mass that I could use help with.
1. Who wrote the Requiem Mass that is found in the 1962 Liber Usualis 2. Where can I get music of the Requiem Mass in modern notation. 3. What is the time signature for the music in the Requiem Mass.
My last two questions are probably the main ones as I am composing them using a music composition software called "Muse Score" and would like to get them composed for Organ by May or June. Thank you for reading this.
16davids, is it possible that you don't mean "compose" but type-set or transcribe?
And there are entire Libers printed in modern notation, don't think any are available online.
I imagine there is no one person, maybe not even one community or monastery responsible for the composition of the melodies of the Gregorian Requiem, and it's lost in the mists of time.
I expect MuseScore is bar-oriented, so needs a meter in order to allow input? If so, just keep changing the meter as needed, and hopefully you'll be able to hide the meter marks later when you are done.
If you're interested in the rhythm of the earliest notated versions of the Requiem chants (rather than the 19th century reconstructions mentioned above), check out this recording by my chant ensemble Euouae, which also features polyphonic settings of parts of the Mass for the Dead.
So I got out my trumpet today and got out my sheet music that has the requiem Aeternam from (http://media.musicasacra.com/books/chantsofchurch_modern.pdf), and just to see if I could play it on my trumpet, I started to play it and long behold, it was PERFECT!
As to the composer of the music of the requiem mass - probably the prolific Anonymous. The chant melody for In Paradisum (actually two antiphons) is listed (the first one) in Hartker's Antiphonale, for example (+980 AD). Evidence for an office for a monthly commemoration of the dead goes back at least to the 8th century in the Benedictine Abbey of Fulda. I would think a Requiem mass (and its Gregorian melodies) to be of even earlier origin. (I'll check further this evening after work and consult a few reference works I have at home). The earliest surviving polyphonic setting (based on the Gregorian melodies) is of Johannes Ockeghem (1460).
IF it helps you're most welcome to use my newest edition as a reference. In fact anyone is welcome to use it for their liturgies. All we ever ask is that people leave the recognizto (creative commons) on the bottom of the first and last page.
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