I have been asked to provide the music for the march for Life Mass this Jan. Most likely I will do "At the Dawning of Creation" by Pluth / Giffen but I would like other suggestions.
Southern AZ. Mass at the Cathedral in Tucson. Pro-life march after Mass. Previous years have done; The Summons, Here I am Lord, Behold the Lamb. Each Year a different Parish provides Mass. My Pastor has asked me to do the music. He knows I do more traditional music so I would like to program some. I do not know what the readings will be yet. I am assuming they will be the readings for Saturday the 18th.
Off the top of my head~ Adoremus hymnal- Lord the giver of all life (ST. ANNE) Salve Regina, or Hail Holy Queen, or both Something honoring life, perhaps honoring the Holy Family Something penitential, asking for mercy
It looks like we will be doing the RM 48/1. For Giving Thanks To God For The Gift of Human Life. Does anyone have the Antiphons written with Organ acc. ? Entrance: "For the Sake of your name, O Lord, give me life" Ps 143(142):11 Comm: "With You, O Lord, is the fountain of life, and in your light, we see light." Ps 36(35):10. Also what verse would I use for the Communion?
Attached here is a corrected and slightly revised version of my setting of Kathy's hymn "At the Dawning of Creation" set to my hymn tune CORDE NATUS. Aside from spelling and capitalization corrections, there has been a minor change to the Descant 2 part at the ends of the first two lines. Also attached is an organist score for CORDE NATUS, with an optional introduction (alternative to playing the entire hymn through once), the descant parts above the verses, and an ending for the final stanza. The attached MP3 file plays the introduction, followed by the hymn setting played four times, with Descant 2 on the second stanza, Descant 1 on the third stanza, and both Descants on the fourth stanza.
Many thanks for this, Charles. We'll be singing this in January as well. I love those two-quarter note phrases in the melody, and the measure "to the heavens" in the refrain gets me by the heartstrings every single time. : )
Call me an apostate, but I've always interpreted the third verse of B. Farrell's "God has chosen me" as a direct reference to us being a voice for the unborn:
"God is calling me in all whose cry is unheard.... to raise up the voice with no power or choice:..."
I would think that "God Has Chosen Me," with that text, would be VERY appropriate for this.
You know, Jesus came to proclaim liberty to captives, freedom to prisoners, etc. This resonates with me as a positive expression of the pro-life movement. Especially with that line about "all whose cry is unheard."
Chonak, I don't think anyone at that event will hear the word "choice," in that line and context, and think it means anything other than what is intended.
I hate the song. BUT - it is an interesting turn-around of that "oi" word we all hear too much of today.
(And it gives the lie to the modernist/liberal/progressive/atheist/feminist/whatever notion that "the voiceless ones" being denied their "right to choose" are middle class women and politically protected minorities and not, you know, unborn children with no voice or rights in our society).
But I still don't like the song, so- you know, whatever.
In my first choral experience, at my old college, I was in a pick-up choir directed by an Evangelical friend, a music major; after a few rehearsals, we took the show to a church and a nursing home. The work was a "contemporary cantata" whose main number contained the sappy verse: "Come and dine, come and dine; I'm singing, I'm so glad that He's a friend of mine."
But the singers were not very experienced, nor was the director, and we didn't learn to pronounce the final consonant on "dine" clearly, so it sounded as though we were singing "come and die". That's not what you want to convey at a nursing home.
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