Destroying the mood of the liturgy - the sacred and profane
  • CharlesW
    Posts: 11,973
    Looks like a postlude after the mass has ended. Hopefully, none of the sacred ministers were trampled by the faithful stampeding toward the exits.
  • Earl_GreyEarl_Grey
    Posts: 903
    The pinnacle of "blended worship" ! ?

  • chonakchonak
    Posts: 9,209
    Not our church, not our problem.
    Thanked by 2MHI Spriggo
  • Yes, and thank goodness. It does highlight the problem and the impossible challenge of "blended worship" that faces the Protestant church...and some Catholic parishes. And it's important to see what's going on in churches that might come over....
  • MHIMHI
    Posts: 324
    .
  • Earl_GreyEarl_Grey
    Posts: 903
    I would rename the group "Oil and Water"
    Thanked by 1CHGiffen
  • francis
    Posts: 10,799
    Both of these examples illustrate well the ultimate train wreck of multi-cultural philosophy.
  • MHIMHI
    Posts: 324
    .
    Thanked by 2francis ZacPB189
  • Blasphemy!
    It is beyond astonishing that the people who perpetrate these shenanigans aren't embarassed to death nor show any sign of nervousness over such behaviour in sacred space.
    Thanked by 1francis
  • CharlesW
    Posts: 11,973
    In a typical American Catholic parish, the ministers would likely process out to "Fantasia on Here I am Lord." I will take the Widor instead, thank you very much.
    Thanked by 1ContraBombarde
  • CharlesW
    Posts: 11,973
    Second time around, when I had a bit more time, I listened until the jazz kicked in. I think I understand why jazz was once considered a pornographic word. As YiaYia says, "pornography."

    http://www.youtube.com/watch?v=ZuyCW8pDdao
  • TCJ
    Posts: 986
    At first I was wondering what was wrong with the toccata until the video hit the jazz part... WHOA! Bleeding ears, that's what it causes.

    Also, shouldn't the jazz band have to wear choir robes too?
  • Priestboi
    Posts: 155
    If I had half the talent those musicians had O.O
    Great talent - application is off though...
  • mahrt
    Posts: 517
    Cynthia Hall should have been playing that piece on a calliope.

    I have always contended that pieces such as the Widor were simply contrived to drive the congregation out of the church. It is inconceivable that anyone would stay to pray after such a performance.
    Thanked by 2francis MHI
  • Virtually all the members of our (Anglo-Catholic) congregation sit and listen to the organ voluntary that follows the liturgy. In fact, the announcements follow this voluntary. The people began sitting through the "postlude" 23 years ago, when we got a new organ. Helping to pay for it increased their interest in listening to it.
  • CharlesW
    Posts: 11,973
    Were I to play the Widor, I would be playing to an empty building for a number of minutes. Those concert pieces work better as recessionals in large churches. They are not practical for most of us.
  • Sorry! I hadn't looked at the video when I wrote my largely-irrelevant comment (above). I was replying only to an earlier comment about a stampede at the end of the Mass.
  • CharlesW
    Posts: 11,973
    It is wonderful that your people are that involved and willing to support the organ, and the organist.
  • ClergetKubiszClergetKubisz
    Posts: 1,912
    Yeah, I've tried the postlude thing a few times at our church, but people I think are so used to beating a path to the door as soon as the recessional ends that nobody stays to hear it. At the school church, the students end Mass by praying three Hail Marys. I usually play a soft hymn on the organ such as "O Sanctissima" or "Panis Angelicus," etc. while that is happening. Before Mass to set the mood (again at the school church, not where I am the director) I usually play "Asperges Me" or "Vidi Aquam" (depending on the season of course), because we don't open Mass with the Rite of Sprinkling any longer, and I want the students to be familiar with the music later in life. Then, depending on how much time I have, I switch to something else for a while, and then I stop about five minutes before Mass begins.
  • I have taken, recently, to improvising on the introit for a prelude, accompanying the (very short) procession with something which will allow me to intone the Asperges without a jarring key change, and improvising on either a section of the Salve Regina or on something relevant for the day -- on Corpus Christ's external solemnity, our visiting priest linked everything he said back to the Sequence, so I started there.

    As to the videos, I can't bring myself to watch any past the first one. I find the alternation and the eventual combination infelicitous.
  • My pastor runs down the aisle after mass, so I barely get through one verse of a recessional hymn, let alone a postlude!
    Thanked by 1Steve Q